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Thursday, May 25, 2023

05-25-2023-1024 - AZTEC CODE (DRAFT)

From Wikipedia, the free encyclopedia
(Redirected from Aztec code)
Encoding: "This is an example Aztec symbol for Wikipedia."

The Aztec Code is a matrix code invented by Andrew Longacre, Jr. and Robert Hussey in 1995.[1] The code was published by AIM, Inc. in 1997. Although the Aztec Code was patented, that patent was officially made public domain.[2] The Aztec Code is also published as ISO/IEC 24778:2008 standard. Named after the resemblance of the central finder pattern to an Aztec pyramid, Aztec Code has the potential to use less space than other matrix barcodes because it does not require a surrounding blank "quiet zone".

Structure

The symbol is built on a square grid with a bulls-eye pattern at its centre for locating the code. Data is encoded in concentric square rings around the bulls-eye pattern. The central bulls-eye is 9×9 or 13×13 pixels, and one row of pixels around that encodes basic coding parameters, producing a "core" of 11×11 or 15×15 squares. Data is added in "layers", each one containing two rings of pixels, giving total sizes of 15×15, 19×19, 23×23, etc.

The corners of the core include orientation marks, allowing the code to be read if rotated or reflected. Decoding begins at the corner with three black pixels, and proceeds clockwise to the corners with two, one, and zero black pixels. The variable pixels in the central core encode the size, so it is not necessary to mark the boundary of the code with a blank "quiet zone", although some barcode readers require one.

The compact Aztec code core may be surrounded by 1 to 4 layers, producing symbols from 15×15 (room for 13 digits or 12 letters) through 27×27. There is additionally a special 11×11 "rune" that encodes one byte of information. The full core supports up to 32 layers, 151×151 pixels, which can encode 3832 digits, 3067 letters, or 1914 bytes of data.

Whatever part of the symbol is not used for the basic data is used for Reed–Solomon error correction, and the split is completely configurable, between limits of 1 data word, and 3 check words. The recommended number of check words is 23% of symbol capacity plus 3 codewords.[3]

Aztec Code is supposed to produce readable codes with various printer technologies. It is also well suited for displays of cell phones and other mobile devices.

Encoding

The encoding process consists of the following steps:

  1. Converting the source message to a string of bits
  2. Computing the necessary symbol size and mode message, which determines the Reed–Solomon codeword size
  3. Bit-stuffing the message into Reed–Solomon codewords
  4. Padding the message to a codeword boundary
  5. Appending check codewords
  6. Arranging the complete message in a spiral around the core

All conversion between bits strings and other forms is performed according to the big-endian (most significant bit first) convention.

Character set

All 8-bit values can be encoded, plus two escape codes:

  • FNC1, an escape symbol used to mark the presence of an application identifier, in the same way as in the GS1-128 standard.
  • ECI, an escape followed by a 6-digit Extended Channel Interpretation code, which specifies the character set used to interpret the following bytes.

By default, codes 0–127 are interpreted according to ANSI X3.4 (ASCII), and 128–255 are interpreted according to ISO/IEC 8859-1: Latin Alphabet No. 1. This corresponds to ECI 000003.

Bytes are translated into 4- and 5-bit codes, based on a current decoding mode, with shift and latch codes for changing modes. Byte values not available this way may be encoded using a general "binary shift" code, which is followed by a length and a number of 8-bit codes.

For changing modes, a shift affects only the interpretation of the single following code, while a latch affects all following codes. Most modes use 5-bit codes, but Digit mode uses 4-bit codes.

Aztec code character encoding
Code Mode
Code Mode
Upper Lower Mixed Punct Digit Upper Lower Mixed Punct
0 P/S P/S P/S FLG(n) P/S 16 O o ^\ +
1 SP SP SP CR SP 17 P p ^] ,
2 A a ^A CR LF 0 18 Q q ^^ -
3 B b ^B . SP 1 19 R r ^_ .
4 C c ^C , SP 2 20 S s @ /
5 D d ^D : SP 3 21 T t \ :
6 E e ^E ! 4 22 U u ^ ;
7 F f ^F " 5 23 V v _ <
8 G g ^G # 6 24 W w ` =
9 H h ^H $ 7 25 X x | >
10 I i ^I % 8 26 Y y ~ ?
11 J j ^J & 9 27 Z z ^? [
12 K k ^K ' , 28 L/L U/S L/L ]
13 L l ^L ( . 29 M/L M/L U/L {
14 M m ^M ) U/L 30 D/L D/L P/L }
15 N n ^[ * U/S 31 B/S B/S B/S U/L
  • Initial mode is "Upper"
  • x/S = Shift to mode x for one character; B/S = shift to 8-bit binary
  • x/L = Latch to mode x for following characters
  • Punct codes 2–5 encode two bytes each
  • The table lists ASCII characters, but it is the byte values that are encoded, even if a non-ASCII character set is in use

B/S (binary shift) is followed by a 5-bit length. If non-zero, this indicates that 1–31 8-bit bytes follow. If zero, 11 additional length bits encode the number of following bytes less 31. (Note that for 32–62 bytes, two 5-bit byte shift sequences are more compact than one 11-bit.) At the end of the binary sequence, the previous mode is resumed.

FLG(n) is followed by a 3-bit n value. n=0 encodes FNC1. n=1–6 is followed by 1–6 digits (in digit mode) which are zero-padded to make a 6-bit ECI identifier. n=7 is reserved and currently illegal.

Mode message

The mode message encodes the number of layers (L layers encoded as the integer L−1), and the number of data codewords (D codewords, encoded as the integer D−1) in the message. All remaining codewords are used as check codewords.

For compact Aztec codes, the number of layers is encoded as a 2-bit value, and the number of data codewords as a 6-bit value, resulting in an 8-bit mode word. For full Aztec codes, the number of layers is encoded in 5 bits, and the number of data codewords is encoded in 11 bits, making a 16-bit mode word.

The mode word is broken into 2 or 4 4-bit codewords in GF(16), and 5 or 6 Reed–Solomon check words are appended, making a 28- or 40-bit mode message, which is wrapped in a 1-pixel layer around the core.

Because an L+1-layer compact Aztec code can hold more data than an L-layer full code, full codes with less than 4 layers are rarely used.

Most importantly, the number of layers determines the size of the Reed–Solomon codewords used. This varies from 6 to 12 bits:

Aztec code finite field polynomials
Bits Field Polynomial Used for
4 GF(16) x4+x+1 Mode message
6 GF(64) x6+x+1 1–2 layers
8 GF(256) x8+x5+x3+x2+1 3–8 layers
10 GF(1024) x10+x3+1 9–22 layers
12 GF(4096) x12+x6+x5+x3+1 23–32 layers

The codeword size b is the smallest even number which ensures that the total number of codewords in the symbol is less than the limit of 2b−1 which can be corrected by a Reed–Solomon code.

As mentioned above, it is recommended that at least 23% of the available codewords, plus 3, are reserved for correction, and a symbol size is chosen such that the message will fit into the available space.

Bit stuffing

The data bits are broken into codewords, with the first bit corresponding to the most significant coefficient. While doing this, code words of all-zero and all-ones are avoided by bit stuffing: if the first b−1 bits of a code word have the same value, an extra bit with the complementary value is inserted into the data stream. This insertion takes place whether or not the last bit of the code word would have had the same value or not.

Also, note that this only applies to strings of b−1 bits at the beginning of a code word. Longer strings of identical bits are permitted as long as they straddle a code word boundary.

When decoding, a code word of all zero or all one may be assumed to be an erasure, and corrected more efficiently than a general error.

This process makes the message longer, and the final number of data codewords recorded in the mode message is not known until it is complete. In rare cases, it may be necessary to jump to the next-largest symbol and begin the process all over again to maintain the minimum fraction of check words.

Padding

After bit stuffing, the data string is padded to the next codeword boundary by appending 1 bit. If this would result in a code word of all ones, the last bit is changed to zero (and will be ignored by the decoder as a bit-stuffing bit). On decoding, the padding bits may be decoded as shift and latch codes, but that will not affect the message content. The reader must accept and ignore a partial code at the end of the message, as long as it is all-ones.

Additionally, if the total number of data bits available in the symbol is not a multiple of the codeword size, the data string is prefixed with an appropriate number of 0 bits to occupy the extra space. These bits are not included in the check word computation.

Check codewords

Both the mode word, and the data, must have check words appended to fill out the available space. This is computed by appending K check words such that the entire message is a multiple of the Reed–Solomon polynomial (x−2)(x−4)...(x−2K).

Note that check words are not subject to bit stuffing, and may be all-zero or all-one. Thus, it is not possible to detect the erasure of a check word.

Laying out the message

9-layer (53×53) Aztec code showing reference grid.

A full Aztec code symbol has, in addition to the core, a "reference grid" of alternating black and white pixels occupying every 16th row and column. These known pixels allow a reader to maintain alignment with the pixel grid over large symbols. For up to 4 layers (31×31 pixels), this consists only of single lines extending outward from the core, continuing the alternating pattern. Inside the 5th layer, however, additional rows and columns of alternating pixels are inserted ±16 pixels from the center, so the 5th layer is located ±17 and ±18 pixels from the center, and a 5-layer symbol is 37×37 pixels.

Likewise, additional reference grid rows and columns are inserted ±32 pixels from the center, making a 12-layer symbol 67×67 pixels. In this case, the 12th layer occupies rings ±31 and ±33 pixels from the center. The pattern continues indefinitely outward, with 15-pixel blocks of data separated by rows and columns of the reference grid.

One way to construct the symbol is to delete the reference grid entirely and begin with a 14×14-pixel core centered on a 2×2 pixel-white square. Then break it into 15×15 pixel blocks and insert the reference grid between them.

The mode message begins at the top-left corner of the core and wraps around it clockwise in a 1-bit thick layer. It begins with the most significant bit of the number of layers and ends with the check words. For a compact Aztec code, it is broken into four 7-bit pieces to leave room for the orientation marks. For a full Aztec code, it is broken into four 10-bit pieces, and those pieces are each divided in half by the reference grid.

In some cases, the total capacity of the matrix does not divide evenly by full code words. In such cases, the main message is padded with 0 bits in the beginning. These bits are not included in the check word calculation and should be skipped during decoding. The total matrix capacity for a full symbol can be calculated as (112+16*L)*L for a full Aztec code and (88+16*L)*L for a compact Aztec code, where L is the symbol size in layers.[4] As an example, the total matrix capacity of a compact Aztec code with 1 layer is 104 bits. Since code words are six bits, this gives 17 code words and two extra bits. Two zero bits are prepended to the message as padding and must be skipped during decoding.

The padded main message begins at the outer top-left of the entire symbol and spirals around it counterclockwise in a 2-bit thick layer, ending directly above the top-left corner of the core. This places the bit-stuffed data words, for which erasures can be detected, in the outermost layers of the symbol, which is most prone to erasures. The check words are stored closer to the core. The last check word ends just above the top left corner of the bull's eye.

With the core in its standard orientation, the first bit of the first data word is placed in the upper-left corner, with additional bits placed in a 2-bit-wide column left-to-right and top-to-bottom. This continues until 2 rows from the bottom of the symbol when the pattern rotates 90 degrees counterclockwise and continues in a 2-bit high row, bottom-to-top and left-to-right. After 4 equal-sized quarter layers, the spiral continues with the top-left corner of the next-inner layer, finally ending one pixel above the top-left corner of the core.

Finally, 1 bit are printed as black squares, and 0 bits are printed as white squares.

Usage

Online ticket by Deutsche Bahn. Note that the Aztec barcode in this sample ticket is not readable with a normal app because the center is different.

Transport

Aztec codes are widely used for transport ticketing.

The Aztec Code has been selected by the airline industry (IATA's BCBP standard) for electronic boarding passes. Several airlines send Aztec Codes to passengers' mobile phones to act as boarding passes. These are often integrated with apps on passengers' phones, including Apple Wallet.

Aztec codes are also used in rail, including by Tehran Metro, British National Rail,[5] Eurostar, Deutsche Bahn, TCDD Taşımacılık, DSB, SJ, České dráhy, Slovak Railways, Slovenian Railways, Croatian Railways, Trenitalia, Nederlandse Spoorwegen, PKP Intercity, VR Group, National Rail, Via Rail, Swiss Federal Railways, SNCB and SNCF for tickets sold online and printed out by customers or displayed on mobile phone screens. The Aztec code is scanned by a handheld scanner by on-train staff or at the turnstile to validate the ticket.

Governmental

Car registration documents in Poland bear a summary, compressed by NRV2E algorithm, encoded as Aztec Code. Works are underway to enable car insurance companies to automatically fill in the relevant information based on digital photographs of the document as the first step of closing a new insurance contract.

Federal Tax Service in Russia encodes payment information in tax notices as Aztec Code.

Commercial

Many bills in Canada are now using this technology as well, including EastLink, Shaw Cable, and Bell Aliant.

See also

References


  • *US 5591956, Longacre, Jr., Andrew & Hussey, Robert, "Two Dimensional Data Encoding Structure and Symbology for use with Optical Readers", published 1997-01-07

  • Official Gazette. United States Patent Office. 17 June 1997. Hereby dedicates to the public the entire term of said patent. Click "images" then "correction" to see the dedication to the public domain.

  • Adams, Russ. "2-Dimensional Bar Code Page". Archived from the original on 30 April 2010. Retrieved 14 July 2022.

  • "Спецификация Aztec Code (без Small Aztec)" [Aztec Code Specification (without Small Aztec)] (in Russian). Archived from the original on 25 February 2020.

    1. "Reversing UK mobile rail tickets". eta.st. 31 January 2023. Retrieved 5 February 2023.

    External links


    https://en.wikipedia.org/wiki/Aztec_Code

    05-25-2023-0737 - In many cases, rehabilitation was posthumous, as thousands of victims had been executed or died in labor camps.[1]

    In many cases, rehabilitation was posthumous, as thousands of victims had been executed or died in labor camps.[1]

    https://en.wikipedia.org/wiki/Rehabilitation_(Soviet)


    05-25-2023-0736 - Corpus delicti (Latin for "body of the crime"; plural: corpora delicti)

    From Wikipedia, the free encyclopedia

    Corpus delicti (Latin for "body of the crime"; plural: corpora delicti), in Western law, is the principle that a crime must be proved to have occurred before a person can be convicted of committing that crime.

    For example, a person cannot be tried for larceny unless it can be proven that property has been stolen. Likewise, in order for a person to be tried for arson it must be proven that a criminal act resulted in the burning of a property. Black's Law Dictionary (6th ed.) defines "corpus delicti" as: "the fact of a crime having been actually committed".

    In common law systems, the concept has its outgrowth in several principles. Many jurisdictions hold as a legal rule that a defendant's out-of-court confession, alone, is insufficient evidence to prove the defendant's guilt beyond reasonable doubt.[1] A corollary to this rule is that an accused cannot be convicted solely upon the testimony of an accomplice. Some jurisdictions also hold that without first showing independent corroboration that a crime happened, the prosecution may not introduce evidence of the defendant's statement.

    Requirements

    In general, all corpus delicti requires at a minimum:

    1. The occurrence of the specific injury; and
    2. some criminal act as the source of the injury.

    For example:

    • Homicide: 1) An individual has died 2) as a result of action (or inaction) by another person.
    • Larceny: 1) Property is missing 2) because it was stolen.

    In essence corpus delicti of crimes refers to evidence that a violation of law occurred, no literal 'body' is needed.

    Murder cases

    When a person disappears and cannot be contacted, many police agencies initiate a missing person case. If, during the course of the investigation, detectives believe that they have been murdered, then a "body" of evidentiary items, including physical, demonstrative and testimonial evidence, must be obtained to establish that the missing person has indeed died, and that their death was by homicide, before a suspect can be charged with murder.[citation needed] The clearest evidence in these cases is the physical body of the deceased. However, in the event that a body is not present or has not yet been discovered, it is possible to prove a crime took place if sufficient circumstantial evidence is presented to prove the matter beyond a reasonable doubt.[2] For example, the presence at a missing person's home of spilled human blood, identifiable as that person's, in sufficient quantity to indicate exsanguination, demonstrates—even in the absence of a corpse—that the possibility that no crime has occurred, and the missing person is merely missing, is not reasonably credible.[citation needed]

    Misinterpretation

    The British serial killer John George Haigh destroyed the bodies of his victims with acid apparently because he thought that, in the absence of a corpse, murder could not be proven because there was no corpus delicti. Haigh had misinterpreted the Latin word corpus as a literal body rather than a figurative one. This had previously been the case, under Matthew Hale's Rule of "no body, no crime", but in the twentieth century, the law expanded to allow prosecution for murder solely on circumstantial evidence.

    The sovereign citizen movement often uses this term during routine traffic stops. Sovereign citizens believe that traffic infractions are not crimes, and thus can not be proven in a court of law.

    See also

    References


  • See, e.g., Wong Sun v. United States, 371 U.S. 471, 497 n.14, 83 S.Ct. 407, 9 L.Ed.2d 441 (1963 (citing to corpus delicti rule and stating: "For the history and development of the corroboration requirement, see 7 Wigmore, Evidence [3d ed. 1940], §§ 2070–2071; Note, Proof of the Corpus Delicti Aliunde the Defendant's Confession, 103 U. of Pa. L. Rev. 638–649 [1955]. For the present scope and application of the rule, see 2 Underhill, Criminal Evidence [5th ed. 1956], §§ 402–403. For a comprehensive collection of cases, see Annot., 45 A. L. R.2d 1316 [1956].")

    1. B. Berg, Criminal Investigation, McGraw-Hill Humanities/Social Sciences/Languages, 2007

    External links


    https://en.wikipedia.org/wiki/Corpus_delicti

    05-25-2023-0735 - A rehabilitation certificate that says: "...and the case was closed for lack of corpus delicti... rehabilitated posthumously"

    A rehabilitation certificate that says: "...and the case was closed for lack of corpus delicti... rehabilitated posthumously"


    https://en.wikipedia.org/wiki/Rehabilitation_(Soviet)

    05-25-2023-0735 - Rehabilitation (Russian: реабилитация, transliterated in English as reabilitatsiya or academically rendered as reabilitacija)

    From Wikipedia, the free encyclopedia
    A rehabilitation certificate that says: "...and the case was closed for lack of corpus delicti... rehabilitated posthumously"

    Rehabilitation (Russian: реабилитация, transliterated in English as reabilitatsiya or academically rendered as reabilitacija) was a term used in the context of the former Soviet Union and the post-Soviet states. Beginning after the death of Stalin in 1953, the government undertook the political and social restoration, or political rehabilitation, of persons who had been repressed and criminally prosecuted without due basis. It restored the person to the state of acquittal. In many cases, rehabilitation was posthumous, as thousands of victims had been executed or died in labor camps.[1]

    The government also rehabilitated several minority populations which it had relocated under Stalin, and allowed them to return to their former territories and in some cases restored their autonomy in those regions.

    Post-Stalinism epoch

    The government started mass amnesty of the victims of Soviet repressions after the death of Joseph Stalin. In 1953, this did not entail any form of exoneration. The government released those who were granted amnesty into internal exile in remote areas, without any right to return to their original places of settlement.[citation needed]

    The amnesty of 1953 was applied for those who had been sentenced for a term of at most 5 years and had been prosecuted for non-political articles in the Soviet Criminal Code (for example, children of those repressed on political grounds were often prosecuted as "antisocial elements", i.e., on the same grounds as prostitutes). In 1954, the government began to release many political prisoners from Gulag labor camps.[citation needed]

    In 1956, Nikita Khrushchev, then in the position of First Secretary of the Communist Party of the Soviet Union, denounced Stalinism in his notable speech "On the Cult of Personality and Its Consequences". Afterward, the government accompanied release of political prisoners with rehabilitation, allowing them to return home and reclaim their lives.[citation needed]

    Several entire nationality groups had been deported to Siberia, Kazakhstan, and Central Asia during population transfer; these were also rehabilitated in the late 1950s. The government allowed many of those groups to return to their former homelands and restored their former autonomous regions. It did not restore territory to the Volga Germans and Crimean Tatars.[2]

    In most cases, the persons were released with the phrases "due to the lack of a criminal matter", "for lack of corpus delicti", "based on previously unavailable information", "due to the lack of a proof of guilt", etc. Many rehabilitations occurred posthumously, as thousands had been executed by Stalin's government or died in the harsh conditions of the labor camps.

    Many individuals were subject to amnesty only, but not to rehabilitation (in particular those who had been prosecuted for "belonging to Trotskyite Opposition").[citation needed]

    Perestroika and post-Soviet states

    Another wave of rehabilitations started about 1986 with emerging Soviet policy of perestroika. Persons who were repressed extrajudicially were summarily rehabilitated. Also, Soviet civilian and military justice continued to rehabilitate victims of Stalin's purges (posthumously), as well as some people repressed after Stalin. After dissolution of the Soviet Union in late 1991, this trend continued in most post-Soviet states.[citation needed]. Leon Trotsky (murdered in 1940) was rehabilitated on June 16, 2001.[3]

    Both the modern Russian Federation and Ukraine[4] have enacted laws "On the Rehabilitation of the Victims of Political Repressions", which provide the basis for the continued post-Stalinist rehabilitation of victims.

    See also

    References


  • Rehabilitation, Internet Encyclopedia of Ukraine

  • Robert Conquest, The Nation Killers: The Soviet Deportation of Nationalities (London: MacMillan, 1970) (ISBN 0-333-10575-3); S. Enders Wimbush and Ronald Wixman, "The Meskhetian Turks: A New Voice in Central Asia," Canadian Slavonic Papers 27, Nos. 2 and 3 (Summer and Fall, 1975): 320–340; and Alexander Nekrich, The Punished Peoples: The Deportation and Fate of Soviet Minorities at the End of the Second World War (New York: W. W. Norton, 1978) (ISBN 0-393-00068-0).

  • В. В. Иофе. Осмысление Гулага. Archived 21 August 2011 at the Wayback Machine НИЦ «Мемориал»

  • Further reading

    • Adler, N. The Gulag Survivor: Beyond the Soviet System. New Brunswick, New Jersey, USA/London: Transaction Publishers, 2002.
    • Iakovlev, A. (ed.) Reabilitatsiia: politicheskie protsessy 30–50-kh godov. Moscow: Politizdat, 1991.
    • Litvin, A. (2001). "Rehabilitation". Writing History in Twentieth-Century Russia: A View from Within. Palgrave Macmillan UK. pp. 95–. ISBN 978-1-4039-1389-0.
    • Smith, K. Remembering Stalin’s Victims: Popular Memory and the End of the USSR. Ithaca, New York: Cornell University Press, 1996.


    https://en.wikipedia.org/wiki/Rehabilitation_(Soviet)

    05-25-2023-0731 - Trevi Fountain

    From Wikipedia, the free encyclopedia
    Trevi Fountain
    Fontana di Trevi
    Fountain
    Trevi Fountain, Rome, Italy 2 - May 2007.jpg
    DesignNicola Salvi
    Construction1732–1762
    Height26.3 metres (86 ft)
    Length49 metres (161 ft)
    SurfaceTravertine stone
    LocationRome, Italy
    Map

    Click on the map for a fullscreen view
    Coordinates: 41°54′3″N 12°28′59″E

    The Trevi Fountain (Italian: Fontana di Trevi) is an 18th-century fountain in the Trevi district in Rome, Italy, designed by Italian architect Nicola Salvi and completed by Giuseppe Pannini in 1762[1] and several others. Standing 26.3 metres (86 ft) high and 49.15 metres (161.3 ft) wide,[2] it is the largest Baroque fountain in the city and one of the most famous fountains in the world.

    History before 1629

    The fountain, at the junction of three roads (tre vie),[3] marks the terminal point[4] of the "modern" Acqua Vergine—the revived Aqua Virgo, one of the aqueducts that supplied water to ancient Rome. In 19 BC, supposedly with the help of a virgin, Roman technicians located a source of pure water some 13 km (8.1 mi) from the city. (This scene is presented on the present fountain's façade.) However, the eventual indirect route of the aqueduct made its length some 22 km (14 mi). This Aqua Virgo led the water into the Baths of Agrippa. It served Rome for more than 400 years.[5]

    Name origin

    The name of the fountain derives from the Latin word trivium (intersection of three streets). The statue is located right in the center of Via De'Crocicchi, Via Poli and Via Delle Muratte.[6]

    Roman aqueducts

    During the sixth century, the aqueducts were not well maintained and the 14 functioning ones were damaged following the invasion of the Ostrogoths.[citation needed]

    The virgin water aqueduct carries the water to the Trevi fountain, after having collected it 10 km from the Italian capital.[citation needed]

    The aqueduct is still in use today, despite some interventions during which the fountain remained empty. Calcium-free water is thought to be one of the causes.[7]

    Commission, construction, and design

    Trevi Fountain in the 18th century, painted by G. P. Panini

    In 1629, Pope Urban VIII, finding the earlier fountain insufficiently dramatic, asked Gian Lorenzo Bernini to sketch possible renovations, but the project was abandoned when the pope died. Though Bernini's project was never constructed, there are many Bernini touches in the fountain as it exists today. An early influential model by Pietro da Cortona, preserved in the Albertina, Vienna, also exists, as do various early 18th century sketches, most unsigned, as well as a project attributed to Nicola Michetti[8] one attributed to Ferdinando Fuga[9] and a French design by Edmé Bouchardon.[5]

    Competitions had become popular during the Baroque era to design buildings, fountains, as well as the Spanish Steps. In 1730, Pope Clement XII organized a contest in which Nicola Salvi initially lost to Alessandro Galilei – but due to the outcry in Rome over a Florentine having won, Salvi was awarded the commission anyway.[10] Work began in 1732.

    The fountain in Journey of a Frenchman in Italy (1769) by J. Lalande

    Salvi died in 1751 with his work half finished, but he had made sure a barber's unsightly sign would not spoil the ensemble, hiding it behind a sculpted vase,[11] called by Romans the asso di coppe, the "Ace of Cups", because of its resemblance to a Tarot card.[12] Four different sculptors were hired to complete the fountain's decorations: Pietro Bracci (whose statue of Oceanus sits in the central niche), Filippo della Valle, Giovanni Grossi, and Andrea Bergondi.[13] Giuseppe Pannini (1718-1805), son of Giovanni Paolo Panini, was hired as architect.[14]

    The Trevi Fountain was finished in 1762 by Pannini, who substituted the present allegories for planned sculptures of Agrippa and Trivia, the Roman virgin.[15] It was officially opened and inaugurated on 22 May by Pope Clement XIII.[16]

    The majority of the piece is made from Travertine stone, quarried near Tivoli, about 35 kilometres (22 miles) east of Rome.[17]

    Restoration

    The fountain was refurbished once in 1988 to remove discoloration caused by smog,[18] and again in 1998; the stonework was scrubbed and all cracks and other areas of deterioration were repaired by skilled artisans, and the fountain was equipped with recirculating pumps.[19]

    In January 2013, it was announced that the Italian fashion company Fendi would sponsor a 20-month, 2.2-million-euro restoration of the fountain; it was to be the most thorough restoration in the fountain's history.[20]

    Restoration work began in June 2014 and was completed in November 2015. The fountain was reopened with an official ceremony on the evening of 3 November 2015. The restoration included the installation of more than 100 LED lights to improve the nighttime illumination of the fountain.[21][22][23]

    2023 attack

    On May 21, 2023, activists of the climate group Ultima Generazione (Last Generation) climate protest group vandalized the fountain by polluting the water with charcoal.[24][25] Rome Mayor Roberto Gualtieri criticized the attacks on heritage sites. As the fountain recirculates the water cleaning of the fountain would need the 300,000 liters of polluted water to be emptied and replaced resulting in significant costs.[26][27] Ryan Maue, the former chief scientist for the National Oceanic and Atmospheric Administration, stated the attack was done by "climate eco-anarchists".[28]

    Iconography

    The backdrop for the fountain is the Palazzo Poli, given a new façade with a giant order of Corinthian pilasters that link the two main storeys.[29] Taming of the waters is the theme of the gigantic scheme that tumbles forward, mixing water and rockwork, and filling the small square. Tritons guide Oceanus's shell chariot, taming hippocamps.[20]

    In the centre, a robustly-modelled triumphal arch is superimposed on the palazzo façade. The centre niche or exedra framing Oceanus has free-standing columns for maximal light and shade. In the niches flanking Oceanus, Abundance spills water from her urn and Salubrity holds a cup from which a snake drinks. Above, bas reliefs illustrate the Roman origin of the aqueducts.[30]

    The Tritons and horses provide symmetrical balance, with the maximum contrast in their mood and poses[citation needed] (by 1730, Rococo was already in full bloom in France and Germany).

    Coin throwing

    Coins are purportedly meant to be thrown using the right hand over the left shoulder.[31] This was the theme of 1954's Three Coins in the Fountain and the Academy Award-winning song by that name which introduced the picture.

    An estimated 3,000 euros are thrown into the fountain each day.[32] In 2016, an estimated €1.4 million (US$1.5 million) was thrown into the fountain.[33] The money has been used to subsidize a supermarket for Rome's needy;[32] however, there are regular attempts to steal coins from the fountain, even though it is illegal to do so.[32][34][35]

    Gallery

    In popular culture

    The fountain has appeared in several films, including Roman Holiday (1953); Three Coins in the Fountain (1954); Federico Fellini's classic, La Dolce Vita (1960); Sabrina Goes to Rome (1998); and The Lizzie McGuire Movie (2003).[36]

    The Trevi Fountain is depicted in the third movement, "The Trevi Fountain at Noon", of Ottorino Respighi's 1916 symphonic poem Fountains of Rome.[37]

    In Federico Fellini's 1960 film La Dolce Vita, Anita Ekberg wades into the fountain with Marcello Mastroianni.

    In 1973, the Italian national postal service dedicated a postage stamp to the Trevi Fountain.[19]

    In the 2003 film The Lizzie McGuire Movie, Lizzie tossed a coin into the Trevi Fountain to wish for smooth sailing in her coming high school years.

    Replica

    A 11 m high and 20.6 m wide similar façade construction as monument was built in 2023 at Serra Negra, Brazil.[38]

    Another copy is located near Caesars Palace in Las Vegas, and yet another replica can be found in the Jamsil station of the Seoul Metro Subway.

    See also

    References


  • "Trevi Fountain | fountain, Rome, Italy | Britannica". www.britannica.com. Retrieved 25 April 2023.

  • "Trevi Fountain". Britannica.com - Trevi-Fountain.

  • Though other etymologies have been suggested, this is the straightforward modern etymology adopted by Pinto 1986 and others.

  • The technical Italian term for such a "terminal fountain" is a ("display"): Peter J. Aicher, "Terminal Display Fountains ("Mostre") and the Aqueducts of Ancient Rome" Phoenix 47.4 (Winter 1993:339–352).

  • Pinto, John A. (1986). The Trevi Fountain. Yale University Press. p. 326. ISBN 0300033354.

  • "fontana-di-trevi" (PDF).

  • "Trevi: LA FONTANA DI TREVI, sezione: restaurazione". 3 February 2019.

  • John A. Pinto, "An Early Project by Nicola Michetti for the Trevi Fountain" The Burlington Magazine 119 No. 897 (December 1977:853–857).

  • Pinto, John; Elisabeth Kieven (December 1983). "An Early Project by Ferdinando Fuga for the Trevi Fountain in Rome". The Burlington Magazine. 125: 746–749, 751.

  • Gross, Hanns (1990). Rome in the Age of Enlightenment: the Post-Tridentine syndrome and the ancient regime. New York: Cambridge University Press. p. 28. ISBN 0-521-37211-9.

  • Delli, Sergio (1975). Le strade di Roma: una guida alfabetica alla storia, ai segreti, all'arte, al folklore [The streets of Rome: an alphabetic guide to history, secrets, art, folklore] (in Italian). Armando. Retrieved 21 May 2018.

  • Andrieux, Maurice (1968). Rome. Funk & Wagnalls. Retrieved 21 May 2018.

  • Minor, Vernon Hyde (1997). Passive Tranquillity: The Sculpture of Filippo Della Valle. American Philosophical Society. p. 252. ISBN 978-0871698759. Retrieved 21 May 2018.

  • Marder, Tod A.; Jones, Mark Wilson (2015). The Pantheon: From Antiquity to the Present. Cambridge University Press. p. 523. ISBN 978-1316123232. Retrieved 21 May 2018.

  • Powell, Lindsay (2015). Marcus Agrippa: Right-hand Man of Caesar Augustus. Pen and Sword. p. 198. ISBN 978-1473854017. Retrieved 21 May 2018.

  • Rapagina, Luigi; Matarazzo, Massimiliano (2016). The Trevi Fountain: Digital travel guide. Edizioni Polìmata. p. 15. ISBN 978-8896760925. Retrieved 19 May 2018.

  • "The Trevi Fountain – The most beautiful fountain in the world". Archived from the original on 25 March 2019. Retrieved 23 February 2014.

  • "Trevi Fountain To Be Restored". The New York Times. 28 February 1988. p. 3. Retrieved 21 December 2020.

  • "The Trevi Fountain and the Dolce Vita!". Euronews. 3 November 2015. Retrieved 19 May 2018.

  • Pullella, Philip (28 January 2013). "Rome Trevi Fountain, symbol of Dolce Vita, to get big facelift". Reuters. Retrieved 21 December 2020.

  • "Torna l'acqua a Fontana di Trevi, dopo il restauro firmato Fendi". Roma – La Repubblica. 3 November 2015.

  • Squillaci, Laura (3 November 2015). "La Fontana di Trevi torna all'antico splendore dopo il restauro". Rai News (in Italian). Retrieved 21 December 2020.

  • "La Fontana di Trevi, applauso e flash salutano il ritorno dell'acqua". ANSA.it (in Italian). 4 November 2015. Retrieved 27 March 2019.

  • "Rome climate protesters turn Trevi fountain water black". The Guardian. Retrieved 21 May 2023.

  • "Trevi Fountain water turns black in Rome climate protest". Reuters. Retrieved 21 May 2023.

  • Nadeau, Barbie Latza (22 May 2023). "Climate activists dump charcoal in Rome's Trevi Fountain". CNN.

  • "Watch: Activists turn Trevi Fountain water black". BBC News. Retrieved 22 May 2023.

  • Maue, Ryan. "Italy recently suffered major flooding, so the climate eco-anarachists attacked the Trevi Fountain to get Europe to abandon fossil fuels and undergo extreme degrowth". via Twitter.

  • "Trevi Fountain: Overall view of fountain with the facade of Palazzo Poli". CurateND. University of Notre Dame. 1 January 1910. Retrieved 20 May 2018.

  • "Trevi Fountain". Lonely Planet. Retrieved 20 May 2018.

  • Cox, Josie (13 April 2017). "Rome's Trevi Fountain generates €1.4m for city's charities in 2016, reports Caritas". The Independent. Retrieved 20 May 2018.

  • "Trevi coins to fund food for poor". BBC News. 26 November 2006. Retrieved 18 January 2010.

  • Lavanga, Claudio; Bailey, Nick (13 April 2017). "Rome's Trevi Fountain Holds Nearly $1.5 Million in Loose Change". NBC.

  • "Trevi coins row re-surfaces". BBC News. 8 October 2003. Retrieved 18 January 2010.

  • "Trevi fountain 'copycat' thieves arrested". BBC News. 9 August 2002. Retrieved 18 January 2010.

  • Silver, Alexandra (17 May 2010). "Top 10 Iconic Movie Locations". Time. Retrieved 21 May 2018.

  • "The Three Arts". The Evening Sun. Baltimore, Maryland. 28 December 1920. p. 12 – via Newspapers.com.

  • External links

    Media related to Fontana di Trevi at Wikimedia Commons

    Preceded by
    Fontana delle Tartarughe
    Landmarks of Rome
    Trevi Fountain
    Succeeded by
    Fountain of the Tritons


    https://en.wikipedia.org/wiki/Trevi_Fountain