DRAFT
USA NAC DOM
PREDATOR AND PREY
LARMER V LAREN V KRAMER
ALLISON V GRIGORY VAR V PSUEDOALVAR
NATIBIBI V ZAKA V BIGNIKIVAR
PUPPY V DOGGY
BEARBEAR V FURMUR V CATS
DIGGY V DOGGYPUPPY
BEARBEAR V DOGGYPUPPY
DR BETTEY V DOGGYPUPPY
DR BETTEY V BEARBEAR
DR BETTEY V DIGGY
DR BETTEY V TOOL
DR ANTON DDS V DR BETTEY DVM
SKUNK V BATTEN
COON V COON
DOG V CAT
CAT V HUMAN
WORM V CAT
CATERPILLAR V WORM
GRASS V CATERPILLAR
HUMAN V GRASS
PESTICIDE V GRASS
DRAFT
DRAFT
USA NAC DOM
NOTE. MR. PERTYS. DRAFT
NOTE. DR BETTEY DVM. DRAFT
DRAFT
DRAFT
USA NAC DOM
NOTESS.
FEDERAL SUBORDINATE STIPEND TO MILITARY ACADEMY, ACADEMY, BAND, LANGUAGE SCHOOL, EXTRACURRICULAR, COLLEGE PREPARATION, CHEERLEADING, SPORTS AND ATHLETICS, BALLET, THEATER, SUPPORTING STAFF AND CHARACTERS (NOT EXTRANEOUS OR ETC.), PERIPHERY AND COMMUNITY, PROFESSION SCHOOL, TRADE SCHOOL, INDEPENDENT SCHOOL, CHARTER SCHOOL, PRIVATE SCHOOL, CATHOLIC SCHOOL, RELIGION BASED EDUCATION, HIGHER EDUCATION, COMMUNITY COLLEGE, UNIVERSITY, HIGH GRADE EXEMPLARY PUBLIC EDUCATION (E.G. UTAH), PUBLIC HIGH SCHOOL, SMALL COMMUNITY SCHOOL, ONE ROOM SCHOOL HOUSE (E.G. RURAL, MT), TRADITIONAL EDUCATION, EDUCATION TRADITION, OFFICIAL CATEGORIES, SOME POSSIBLY VAGUE UNDEFINED UNCERTAIN N/A NOT AVAILABLE OR MISCLASSIFIED CATEGORIES (TEMPORARY CATEGORIES, IN EVALUATION OR INTERIM ETC.), FOREIGN GRADE SCHOOL DOMESTIC, BOARDING SCHOOL, SPECIAL EDUCATION (LIMITATIONS), INTERNATIONAL YOUTH ORGANIZATION, INTERNATIONAL, INTERNATIONAL ORGANIZATION, SUPPORT/REGULATION/ENFORCEMENT/ETC., COMPLIANCE, STANDARD, HIGH STANDARD, VERY HIGH STANDARD, UNIFORM, SPECIAL CONSIDERATIONS, EDUCATION AND TEACHING HOSPITAL, RESEARCH FACILITY INSTITUTION, INSTITUTION, RESEARCH INSTITUTION, MEDICAL SCHOOL, VETERINARY SCHOOL (LIMIT), DENTAL SCHOOL (LIMIT), TIER, HIERARCHY, ORDER, PRECEDENCE, HALLMARK, CONTRIBUTION, ARTIFACT, MUSEUM, CONTRIBUTION TO THE SCIENCES, CONTRIBUTION TO SOCIETY, PUBLIC EDUCATION SYSTEM, PUBLIC EDUCATION SYSTEM SUPPORTING EDUCATION, PUBLIC EDUCATION SYSTEM SUPPORT, PUBLIC EDUCATION SYSTEM PRIVATE BRANCH, SPECIALTY SCHOOL, PRIVATE EDUCATION AND PUBLIC EDUCATION SYSTEM COMPLIANCE, OTHER TYPES OF SCHOOLS, OTHER TYPES OF EDUCATION, OTHER TYPES OF EDUCATION SYSTEM, ADULT EDUCATION, SUNDAY SCHOOL, SEMINARY (MORNING SCHOOL), BREAKFAST CLUB, EQUESTRIAN, SUPPORTING PHYSICIANS (E.G. ANTIBIOTICS), ZOO, CIRCUS, AMUSEMENT PARK, BILL NYE THE SCIENCE GUY, THE GREAT DEBATERS, RESPECT FOR PERSONS, CELEBRATION, EMILY POST ETIQUETTE, SOCIETY, BATMAN AND ROBIN 1995, BATMAN, DC COMICS, MARVEL, SAILOR MOON, STEPHEN HAWKINGS, SWANGO, OXFORD, BROWN, STANFORD, CORNELL, PHILOSOPHY MAN (E.G. BLACK/BROWN/GREY/ETC. BLUE OR BLACK-BLUE IRIS WHITE SKIN COLOR WATTLE BATTEN FACE, HANDSOME, ETC.), PROFESSOR, ROBERT LEE MOORE, RACIST, MATHEMATICIAN, WHITE MAN, MEN, MAN, HONORABLE, DIGNITARY, AUTHORITY, TREASURY, GRIGORY MAIRANOVSKY, SHIROS, DR. BETTEY D.V.M., DR. ANTON D.D.S., RUBY MAY BETTEY, ZAK BETTEY, MATHS TEACHER, TEACHER, STUDENT, PARENT, CHILD, FAMILY, MANY PEOPLE, PEOPLE, PERSONS, LIMITATIONS, TERM, CONDITION, RESTRICTION, CLOSURE, INITIAL, TERMINAL, DATE, CALENDAR, TIME, YEAR, LOCATION, COORDINATE, PERSON, NAME, SPECIFICATIONS, STATUS, STATS, EXCEPTION, EXEMPTION, ETC., SEGREGATION, DISCRIMINATION, RACISM, DISCRETE, CONTINUOUS, TIME, SPACE, ZERO, GIFT, PRIVATE, PUBLIC, EQUITY, ASSET, INFINITE, DAZED AND CONFUSED, FERRIS BUELLERS DAY OFF, BUFFY THE VAMPIRE SLAYER, SCHOOL GHOST, PUMPKIN, WITCH, (WHICH), PRO-ANA, SURGERY FOR YOUNG, BEAUTY SURGERY FOR YOUNG/FAMILIES, RECONSTRUCTIVE SURGERY FOR YOUNG/FAMILIES, REBUILD SURGERY, BUILD SHELL REBODIMENT, ARTIFICIAL ORGANS, STORAGE FOR ORGANS/SHELL (IN CONTEXT LAST TWO LINES ; RECONSTRUCTIVE TO ARTIFICIAL ORGANS DRAFT), LIBRARY, CIVIC HALL, DRIVERS LICENSE DIVISION, CIVIL SECTOR, CIVILIAN SECTOR, GENERAL POPULACE, CIVIC SECTOR, PUBLIC SECTOR, DIVISIONS, SECTORS, CIVILIAN DOMAIN, GENERAL COMMONS, COMMONS, GENERAL KNOWLEDGE, COMMON KNOWLEDGE, UNCOMMON, UNORTHODOX, COMMON SENSE, GOVERNMENT DEPARTMENT/ADMINISTRATION (E.G. STATE, SUB-FED, USAF BRANCH PERIPHERY, ETC.), CITIZEN AND CIVILIAN, CIVILIAN, CITIZEN, DISTINCTION, AWARD, HONOR CODE, CODE, US CODE, FEDERAL STATUTE, STATUTE OF LIMITATIONS, DIFFERENCE, SUM, HIGH RANKING OR GOOD PUBLIC SCHOOL, HOME SCHOOL, CHRISTIAN SCHOOL, ACADEMY SCHOOL, PUBLIC SCHOOL, SPECIALTY SCHOOL (E.G. ZOO ON CAMPUS), ENGINEER, VETERINARIAN, LANGUAGE, DENTIST, MEDICAL, LABORATORY, TECHNOLOGY, PHARMACY, MATHEMATICS, PHILOSOPHY, LOGIC, REASON, SUBDISCIPLINES, SUBSTUDY, INTERDISCIPLINARY, INTRADISCIPLINE, DISCIPLINE, EXTRADISCIPLINARY, SUB-DOMAIN, LAW, TRADES, WORKING CLASS EDUCATION, WORKING CLASS, BLUE COLLAR WORKERS, MECHANIC, ELECTRICIAN, REPAIR MAN, MAINTENANCE MAN, GARDNER, PLUMING, AUDITOR, ADMINISTRATION, DEPARTMENT, ASSISTANT, HOUSEKEEPER, JANITOR, WORKERS UNION, BUREAU OF LABOR AND STATISTICS, DEPARTMENT OF VITAL RECORDS, U.S. CENSUS BUREAU, U.S. TREASURY 2000, POLICE DEPARTMENT 2000, USAF 2000, INTERNAL REVENUE SERVICE, FEDERAL BUREAU OF INVESTIGATION, CIA 2000, PRESIDENTATORY 2000, SOCIAL SECURITY ADMINISTRATION, DHHS 2000/UNC, DHS-BORD-DFA-ETC. 2000, USDA, FDA, DEA, FISH AND WILDLIFE, FOREST RESERVE, CRITICAL INFRASTRUCTURE AND DEFENSE, ETC.. (DRAFT)
NOTE. NORMALIZATION, STANDARDIZATION, METHODIZATION, METHODOLOGIZATION, SYSTEMATIZATION, EQUALIZATION, CLANDESTINE OPERATION SUPPORT, SHUNTS AND OUTLETS, ERRORS, ERROR, PROPAGATION OF ERROR, STUNTED INTELLIGENCE AS ADULTS WITH EMPLOYMENT (ROLLING GENERATIONS OF AMERICANS), ETC.. DRAFT
NOTE. ODDITIES, EXCEPTIONAL, ETC., SPECIAL EXCEPTIONS EXEMPTIONS DISCRETION ETC.. DRAFT (DRAFT). [E.G. STANDARD PROCEEDINGS CANNOT INCLUDE JOKES, AUXILIARY, HOAXES, SPOOFS, CHEATING, LYING, STEALING, ETC..] (DRAFT) (ESP. OVER AGE 18 AND ETC., IN PARTICULAR CLOSED RECORD CLOSED TERM. DRAFT) (DRAFT) [VARS, CHARITY, ERRORS, NOTES OF BEING REALLY CRUDE OR MEAN, A LESSON IN HUMANITIES, LIMITATIONS OF PURPOSEFUL THOUGHT, EXTRAORDINARY (BIGGER JOKES), FLATTENING AND SHAPING ERRORS, DELIBERATE ERRORS AND NO KNOWN CAUSE, OUT BOUNDS, OUT DOMAIN, UNNECESSARY, INSUFFICIENT RESOURCE AND ADULTS (YOUNG ADULTS ONLY), LIMITATIONS OF MEANING IMPLEMENTATION, LIMITATIONS OF AVERAGE AND MEANING, COMPLAINERS, WHINERS, MONEY KIDS, THE LOST SOUL JOKE, ARTIFICIAL COORDINATION AND ALIGNMENT, MALIGNERY, MISALIGNMENT, RE-ALIGNMENT REQUIREMENT, ETC..] (DRAFT)
NOTE. GODSMACK AND REALIGN. DRAFT
NOTE. COINCIDENCE AND CIRCUMSTANCE. DRAFT
NOTE. PLACE SWAP FALLACY AND LIMITATIONS. DRAFT. ODD MANEUVERS, STRATEGIES, TACTICS, TECHNIQUES AND MISAPPRAISAL MISAPPLICATION MISCOMMUNICATION DELIBERATE AND MALIGNMENT. DRAFT. BIG PRUSSIAN TORTURER AND THE CODE. DRAFT. THE MEN ABOVE, AND DISCRETION. DRAFT.
NOTE. LIMITATIONS OF CLANDESTINE OPERATION. DRAFT
NOTE. WHAT IT REALLY MEANS TO BE PRETTY. DRAFT
NOTE. A PERRY LIFE. AN EMILY ETIQUETTE. PILLARS OF SOCIETY. DRAFT. (OUT OF RANGE, AUXILIARY, ETC.). DRAFT
NOTE. PROPER USE OF THE WORD. DRAFT. MISWORDED. GIFT OF EDUCATION, REWRITE, REPURPOSE, REFINE OBJECTIVE, STRUCTURE, FUNCTION, PURPOSE, POINT, ETC.. DRAFT
NOTE. SECOND CHANCES, AND THE GROUPING RULES. LIMITATIONS. DRAFT. WHERE EVERYTHING FITS AND IT MAY OR MAY NOT ACTUALLY FIT THAT WELL OR EXIST AT ALL. DRAFT
NOTE. INTEGRITY. DRAFT.
NOTE. PRIVATE MEANING V PUBLIC MEANING. IMPORTANCE OF SEPARATION OF PRIVATE DRAFT AND PUBLIC SPEECH OR NOTE. DRAFT
NOTE. LIMITATIONS OF INTELLIGENCE, A RUDIMENTARY APPRECIATION OF TORT AND MONEY. A FLAWED FOUNDATION AND AN EXPERIMENTAL CONTROL UNKNOWN. DRAFT. EXTENDED IDEATION. DRAFT. SUGGESTION, GULLIBILITY, ERROR, INTEREST, REAL MEANING OF LIFE, DISTRACTIONS, DECOYS, DECEPTION, ETC.. DRAFT. THEY HAD IT RIGHT ALL ALONG, THEY HAD IT RIGHT BEFORE. DRAFT. A LIFE OF MONEY. DRAFT. WHERE THE POINT IS DELAYED THIRTY YEARS FOR CHEATERS, A CAUSE FOR GROSS CONFUSION. DRAFT. TORTARY AND REQUEST FOR FUND IN SUPPORT OF EACH AND EVERY INDIVIDUAL SUBJECTED TO NATIONAL STATE ~1940-2000+ GRADE MANDATORY COMPULSORY EDUCATION PROGRAM TESTING FREE PUBLIC EDUCATION. DRAFT. RESTITUTION REQUIRED, DUE 10000 YEAR PRISONER TECH PHARM ADVANCEMENT AND KIBBLING OF THE PRESIDENT/COMPANIES/ARMY/PEOPLE/FOREIGNS/ETC. (INC. PERSONS WITH NO SUFFICIENT CLASS). (DRAFT). MALICIOUS MANAGEMENT OF MASSIVE NUMBERS OF PEOPLE (DANGEROUS HUMAN PRODUCT)(DRAFT) BY AMERICA UNITED STATES ETC.. DRAFT. A GENERAL ARGUMENT PROPOSITION TO CONSIDER COMPULSORY, MANDATORY, ETC., AND THE LIKE. CONSTITUTION. LIMITATIONS. TWO THOUSANDS FORWARD. CLEMENCY FOR TEN. DRAFT. DRAFT
NOTE. IMPROVING QUALITY OF LIFE AND IMAGING FOR BLUE COLLAR WORKERS AND WORKERS UNION. DRAFT STANDARD OF LIVING AND QUALITY OF LIFE. BEAUTY, YOUTH, FERTILITY. DRAFT.
NOTE. DRIVERS OUT OF CONTEXT. DRAFT. LIMITATIONS. TECHNOLOGY OR METAPHOR OR VEHICLE (TECH). DRAFT. THATS WHAT I MEANT ERROR. CORRECTS TO HINDSIGHT BIAS, DISTORTIONARY, MENTAL ILLNESS. DRAFT. VENTURES, ODD JOBS, ETC., LIMIT OF SELLING TO THE POOR. DRAFT. ILLEGAL MANEUVERS IN BEAUTY, FLIP. DISPLACE. RETAINER. DRAFT. EXHIBITIONARY RISK AND POVERTS OR POVERNS IN ENTERPRISE VENTURES AND ELIMINATION (NVHT NTSP). DRAFT. COORDINATION AND ATTACK BY PARAMILITARY AND USAF SUPPORT BASE COLLECTION, EXECUTIONARY. HAND OFFS. SOMEONE ELSES SON. DRAFT. CHEAP MANY DEATH, EXPENSIVE ONE DEATH. NO REPLACEMENT ALLOWANCE (SUICIDE OF CHRISTOFOROS). (DRAFT). MASSIVE CHAMPIONS. DRAFT. BLACK POWER LIMIT, IMPERSONATION OF BLACK MINERS. NO WHITE FRIENDS OUT OF YOUR FAMILY. DRAFT. NO BLACK NIGGERS FRINED TO MINE. DRAFT.
NOTE. SHELL SWAP. POWER OF STALININAN REGIME WITHOUT MARX AND YOU. DRAFT
NOTE. DRUGS LORDS ETC., DONT SPEAK ENGLISH. LESSONS IN EXPERIMENTATION WITHOUT COMPETENCE. DRAFT.
NOTE. PRICE TO DRUG LORDS, A LEG IS NOT A RECORD. DRAFT.
https://www.educaplay.com/types-of-activities/fill-in-the-blanks-games.html
https://global.oup.com/us/companion.websites/9780199760060/student/chapter7/outline/
https://plato.stanford.edu/
https://www.law.cornell.edu/uscode/text
https://pwcenter.org/playwriting-toolkit/decoding-6-aristotelean-elements-drama
https://en.wikipedia.org/wiki/Outline_of_theatre
DRAFT
DRAFT
USA NAC DOM
THEY'RE BACK. DRAFT
BLACK BLOOD
CHOLE SPALSM
CHOLE PALM
CHOLE PASLM
ZAK BE
DRAFT
ISSUES
THE SUM
NO CENTRAL LIMIT THEOREM
INFINITE
NEGATIVE
NEGATIVE INFINITY
TOWARD INFINITY AND BEYOND
APPROACHING LIMIT
ZERO LIMIT
LIMIT ZERO
POLARITY SWITCHING VAR DRAFT
NUMBER LINE ON THE NUMBER LINE
APPROACHING ZERO
INFINITE CYCLE
INFINITE REDUCTION CYCLE CASCADE CATALYTICS NESTED SYSTEM SPINODE ETC. DRAFT
COME FROM BEHIND, ANGLE, DIRECTION, PLANE, VORTEX, SHEET, POINT, ETC. DRAFT
SYMBOL TRANSLATION DISPARITY ERROR ETC.
CORRECTION DRAFT
INFINITELY INFINTESIMLY SMALL AND NO CENTRAL LIMIT
APPROACHING LIMIT INFINTESIMAL AND NO CENTRAL LIMIT
FUNDAMENTAL ERROR
FUNDAMENTAL ATTRIBUTION ERROR
HEURISTICS HYPOTHETICS EXPECTATION OF ERROR LEVEL PREDICTION IMAGINATION LEVY NON-EXISTENT ERROR ERRORS THAT APPLY TO HUMAN COGNITION OR WORK ONLY. DRAFT
TRANSLATION LIMITATION. DRAFT
INFINITE V NO CENTRAL LIMIT
JOKES ABOUT A LIMIT OR NOT JOKE ABOUT NO LIMIT
RELEVANCE TO HUMANS OF EQUATION LIMIT
DELIMITER DEMARCANT AXIOM ROTARY TOOL PROP DEVICE DEVISE INSTRUMENT ETC. DRAFT
NO CENTRAL LIMIT THEOREM AND APPROACHING INFINITE LIMIT OF TIME AND SPACE BY SCALE AND WITH REFERENCE TO ZERO AND INFINTESIMAL OR INFINITY AND ONE TIME CLOCK ONE CAGE. DRAFT
NUCLEAR RATE DECISION RATE CLOCK SPEED OR RATE. DRAFT VELOCITY OF MAN. DRAFT
PHYSICAL ZAK HEAVY SLOW FORM. STATE CALIBRATION ZAK LIGHT NO FORM NECESSARY OR UNCERTAIN (E.G. UNK)(E.G. AUTO-FORMING AUTOMATIC DEFAULT ETC.. DRAFT), ETC.. (DRAFT)
DRAFT
DRAFT
USA NAC DOM
ZAKARY BETTEY
CHARITY
SECOND HAND STORE
PROPER WASTE COLLECTION AND DISPOSAL
PHYSICIAN TO PROVIDE EACH INDIVIDUAL WITH A PROGENY (NTSP NVHT ETC.) AND BEAUTY SURGERY
USAF TO ASSIST WITH RESCUE, REBUILD, RETURN, EUTHANASIA, ETC.. DRAFT
DATABASE, INFORMATION ; (CENSORSHIP, ETC.) (DRAFT)
US CODE, CFR, FDA, USAF, ETC. DRAFT
REGULATION COMPLIANCE ENFORCEMENT
FEDERAL STATUTE STATUTE OF LIMITATIONS
STOCK CHARACTER (INC. STOCK CHARACTER TIER, BEGINNER THROUGH ADVANCED) (DRAFT) (LIMITATIONS) (DRAFT) (POSITIONS, DISTANCE, TIME, SIT, INITIAL, FINAL, TERMINAL, TERM, INTERIM, TASK, MINIMAL DISRUPTION, DISCRETION, LOWERED GAZE, AVOIDANCE, EVASION, HEROISM, BEGINAL, ETC.) (DRAFT)
BOYS CLUB (DRAFT)
PRO-ANA (DRAFT)
DRAFT
DRAFT
USA NAC DOM
CHOLE PASLM DOMAIN (CAUCASIAN OR CAUCASIAN-VAR) (DRAFT)
BLACK BLOOD REGION (ASIAN-VAR) (DRAFT)
DRAFT
TWO MEN.
TWO PATHS.
AND TIME.
ONE LINE.
DRAFT
COMMUNICATION ERROR: GENETIC LINE, STATUS, SPECIFICATIONS, STATE, RACE, HOME COUNTRY, SECRET KNOWLEDGE, PAST, BACKGROUND, ALTER-DIMENSION, ALTER-REALM, DIMENSION, REALM, LEVEL OF ANALYSIS, LEVEL, MULTI-DIMENSION, MULTI-DIMENSIONAL, DISPUTE, MULTI-DIMENSIONAL CONSCIOUSNESS, CONFLICT, CONFLICT SHOW, CONFLICT DISPLAY, CONFLICT ACTING/PORTRAYAL/SCENE/ETC., DRAMA, FALSE CONFLICT MOTIVE/TOPIC/OUTCOME/ETC., CONCEALED MOTIVE PRACTICE OR TEST, TEST ROLLS, SMARTER THAN THE REST, BOOLEAN LOGIC KEY, BOOLEAN, BOOLEAN LOGIC CODE, CODE, KEY, LOGIC, POSSIBILITY, NULL, VOID, ONE, DIRECTION, ERROR, LIMITATIONS, STEP, SMALL FOOT, NO MOVEMENT, NO APPARENT MOVEMENT, APPARANCE, APPEARANCE, APPARENT, SEMBLANCE, RESEMBLANCE, LIKENESS, AKIN, ALIKE, KIN, NOT KIN, RESEMBLANCE AND NOT KIN, DISTAL RESEMBLANCE, INDIRECT, DIRECT, EXTERNAL, INTERNAL, INTRA, INTER, INTERFACE, INTERSPACE, SURFACE SCIENCE, SURFACE CHEMISTRY, DENTISTRY, EMBRYO, ANIMAL, PLANT, SOIL, EARTH, AIR, WATER, FIRE, SALT, GAS, WEAPONS, CAUSTICS, CHEMICALS, TOXINS, METABOLITES, BYPRODUCTS, ANABOLICS, ACCUMULATOR, GENERATOR, CYCLE, DIRECTION, MULTIDIRECTION, ERROR POINTS, TRAPS, PITS, FALLS, NAVIGATION, COORDINATE, SIGHTS, FOCUS, MOTION, SIDE, PERIPHERAL, DEPTH, PERCEPTION, PROXIMAL, DISTAL, MEDIAN, FOCAL, DIFFUSE, DISSIPATION, DISSEMINATION, DECOHERENCE, DECOUPLING, DISAPPEARANCE, INVISIBILITY, COMPOSITION, PROCESS, CYCLE, CONSTITUTION, CONSTITUENT, LIMITED COMMUNICATION CAPACITY, VAGUE, UNCERTAIN, UNKNOWN, UNKNOWN UNKNOWN, OCCUPIED TERRITORY OR TURF, OCCUPIED, CONFOUND, CONFLICT OF INTEREST, CONSTRAIN, CONTROL, CONDITION, CONSTRUCT, CONSTRUCTION, SCHEMATIC, SCHEMA, SCHEME, PLOT, POINT, MOTION CHART, SCATTER PLOT, SCHOOL, PROPERTY, CODE VAR, RULE, EXPULSION, INSTITUTION, ANTIBIOTICS, FAMILY, HIERARCHY SIMPLE OR ARTIFICIAL OR INFORMAL OR TEMPORARY OR LIMITATIONS OR ETC. (COMPLEX, TERM CONDITION LIMITATION RESTRICTION EXCEPTION EXEMPTION ETC.)(DRAFT), HIERARCHY, ORDER, PRECEDENCE, TIER, ORDER OF PRECEDENCE, CLASSIFICATION SYSTEM, SURROUNDINGS, ENVIRONMENT, VARIABLE, VALUE, MEASURE, CALIBRATION, REFINEMENT, CATABOLISM, STARVATION, BIOLOGY, CHEMISTRY, PHYSICS, MATHEMATICS, HUMANS, HUMANITIES, LANGUAGE, LITERATURE, COMMUNITY, JOURNAL, SCHEDULE, AGENDA, CURRICULUM, TOPIC, SUBJECT, OBJECT, BASIC COMMUNICATION, INHIBITION, REFRAIN, PATIENCE, WAIT, LINE, ETIQUETTE, ETHIC, NO CONTACT, COURTESY, MANNERS, LIMIT, ZERO, COINCIDENCE, CIRCUMSTANCE, DEVIATION, STANDARD, PRINCIPLE, GUIDELINE, MORAL, VIRTUE, EXTRAPOLATION, ERROR, MULTILEVEL COMPOUNDED ERROR, FULL SYSTEM FAILURE, FLAWED FOUNDATION, CUSTOM, PRIORITY, PURPOSE, INTENT, MOTIVE, THOUGHT, ACTION, WORD, IDEA, IDEOLOGY, MYTHOLOGY, CONCEPT, CONCEPTUALIZATION, VISUAL IMAGERY, VIRTUAL, REAL, VIRTUAL REALITY, COMPUTER, PRINTER, TRANSFORM, TRANSPIRE, APPEAR, SPOOF, HOAX, JOKES, PAPER, RISK, RANGE, DISTANCE, NETWORK, LEVELS, PLAN, FITTING, FLATTENING, REFORMATTING, SHAPING, LEARNING, COMPOUNDING, LAYERING, MATRIXING, EXPOUNDING, GROWING, CARD, MONEY, TREASURE, MISSING, SUB-KEY, COINS, GOLD, SYMBOLISM, ETC.. DRAFT
DRAFT
NOTE. ONE LINE IN POEM/UNIT/PASSAGE/TEXT/ETC. (TOP) IS NOT MEANT OR INTENDED TO IMPLY GENETIC LINE, RELATIVITY, RELATIVISTIC, RELATIVE, RELATION, GENETIC RELATION, BIOLOGICAL RELATION, BIOCHEMICAL RELATION, AESTHETIC RELATION OR SHARE, SHARE, TRADE, BARTER, SIMILARITY, CRIME, RESEMBLANCE, LIKENESS, CAUSE, EFFECT, TRADERY, MALICE, CLANDESTINE, CONTRAST, COMPARABLE, HOMOGENIETY, UNITY, UNUAL, UNION, ONENESS, DOMAIN, WHOLE, PART, CONSTITUTION, CONSTITUENT, STRUCTURE, REDUCTION/AUGMENTATION, DIFFERENT/SIMILAR, SUM/DIFFERENCE, ADD/SUBT, DEL/ERASE/INSERT/INPUT/OUTPUT/EXPUT/ETC., COORDINATE, ETC.. DRAFT IN OTHER WORDS, IS NOT MEANT TO IMPLY BIOLOGICAL OR GENETIC RELATION, INCLUDING LINEAGE, ANCESTRY, HERITAGE, SIBLINGRY, CLONERY, SPLITTERARY, PARENTRY, RAISERY, BIOLOGICALY, CHILDRY, FAMILYRY, ADOPTERY, PLACERY, FINDERY, SUBERY, APPEARY, OWNERY, PROPERTY, COMPONENTRY, PARTY, PARTIALITY, SECTUALITY, WHOLERY, ASPECTRY, UNITRY, BIGGERY, SMALLERY, ZEROERY, IMAGINERY, REALERY, ETC.. DRAFT
NOTE. ONE LINE IN PASSAGE TOP IS NOT MEANT TO IMPLY GENETIC BIOLOGICAL SIMILARITY PATTERN LINE ETC. (AMERICAN ADVERTISED FOUNDATION FUNDAMENT CL1=L5 SURFACE EARTH ENGLISH LANGUAGE CAUCASIANS POINTS OF DIFFER)(DRAFT)(DISTINCTION UNITS, ETC.)(DRAFT). DRAFT [INC. INHERENCY, LINEAGE, ANCESTRY, ZERO POINT, ORIGIN (SUB-ORIGIN), MATRIX, CODE, FIELD, STARTER, UNIT, MEASURE, ETC.] (DRAFT) {BASELINE, BASEFRAME, FRAMEWORK, STRUCTURE, FUNCTION, ETC..} (DRAFT) [ONE LINE IS NOT ALWAYS INTENDED OR MEANT TO IMPLY/INSINUATE/STATE/EXTEND TO/ETC. GENETIC BIOLOGICAL ETC. OR RELATION OR ETC.. DRAFT (PRIVATE) (DRAFT)] (DRAFT)
NOTE. SPECIES ANIMAL MAMMAL HOMEO SAPIEN HUMANS CIVILIANS. SUBJECT POPULATION. DRAFT (RF. NEANDER, NALEDRI) (DRAFT) (E.G. CAUCASIANS, ETC.) (DRAFT)
NOTE. GREAT AMERICAN EXPERIMENT. DRAFT. US CODE USAF. DRAFT.
NOTE. SUBMISSIONS. DRAFT.
NOTE. ONE LINE IN PASSAGE TOP IS NOT MEANT TO IMPLY ETC. GENETIC BIOLOGICAL ETC. RELATION/SIMILARITY/ETC.. DRAFT
NOTE. INHERENCY, STANDING, BASELINE, STATE, STATICS, PROCESSES, CYCLE, RATE, VALUE, VARIABLE, ZERO, ETC.. DRAFT
NOTE. ONE LINE IS NOT MEANT OR INTENDED HEREIN (E.G. TOP PASSAGE ETC.) TO IMPLY OR STATE A CIRCUMSTANCE OR COINCIDENCE OF GENETIC BIOLOGICAL DOMAIN OR STATE (INCLUDING OF RELATION, PAST/PRESENT/FUTURE/ETC. (E.G. CONSTRAINT, LIMIT, BOUND, VALUE, ZERO, NUMBER, FUNCTION, ETC.), STRUCTURE, ETC..) (DRAFT). DRAFT
DRAFT
DRAFT
CHOLE PASLM
BLACK BLOOD
DRAFT
FANS DRAGON BALL Z. DRAFT
Tsu'Tey Neytiri Fan art Fan fiction, James Cameron, png
https://www.pngwing.com/en/free-png-toehc
https://learn.podium.school/articles/how-to-write-fanfiction/
This is a list of fictional railway stations, (as opposed to genuine railway stations portrayed in fictional works or context)
https://en.wikipedia.org/wiki/List_of_fictional_railway_stations
An alternative universe (also known as AU, alternate universe, alternative timeline, alternate timeline, alternative reality, or alternate reality) is a setting for a work of fan fiction that departs from the canon of the fictional universe that the fan work is based on. For example, an AU fan fiction might imagine what would have taken place if the plot events of the source material had unfolded differently, or it might transpose the characters from the original work into a different setting to explore their lives and relationships in a different narrative context. Unlike typical fan fiction, which generally remains within the boundaries of the canon set out by the source material, alternative universe fan fiction writers explore the possibilities of pivotal changes made to characters' history, motivations, or environment, often combining material from multiple sources for inspiration.
AU stories are also sometimes used in official, though typically non-canonical, story lines, written by the creators of the original canon material.
https://en.wikipedia.org/wiki/Alternative_universe_(fan_fiction)
Fan fiction or fanfiction (also abbreviated to fan fic, fanfic, fic or FF) is fictional writing written in an amateur capacity by fans, unauthorized by, but based on an existing work of fiction. The author uses copyrighted characters, settings, or other intellectual properties from the original creator(s) as a basis for their writing. Fan fiction ranges from a couple of sentences to an entire novel, and fans can retain the creator's characters and settings and/or add their own. It is a form of fan labor. Fan fiction can be based on any fictional (and occasional non-fictional) subject. Common bases for fan fiction include novels, movies, musical groups, cartoons, anime, manga, and video games.
Fan fiction is rarely commissioned or authorized by the original work's creator or publisher and is rarely professionally published. It may infringe on the original author's copyright, depending on the jurisdiction and on legal questions such as whether or not it qualifies as "fair use" (see Legal issues with fan fiction). Attitudes of authors and copyright owners of original works to fan fiction have ranged from indifference to encouragement to rejection. Copyright owners have occasionally responded with legal action.
The term came into use in the 20th century as copyright laws began to delineate between stories using established characters that were authorized by the copyright holder and those that were not.[1]
Fan fiction is defined by being related to its subject's canonical fictional universe, either staying within those boundaries but not being of the canon itself, or else branching outside of it into an alternative universe.[2] Thus, what is "fanon" is separate from what is canon. Fan fiction is often written and published within circles of fans, and therefore would usually not cater to readers who have no knowledge of the original fiction.
https://en.wikipedia.org/wiki/Fan_fiction
https://fanlore.org/wiki/Quizilla
https://fanlore.org/wiki/Fanfiction
https://web.archive.org/web/20060101030122/http://quizilla.com:80/
https://www.fanfiction.net/
https://support.google.com/docs/thread/43417972/non-volatile-random-number-generator-that-only-re-generates-a-number-when-prompted?hl=en
https://incorrect-quotes-generator.neocities.org/
https://forum.ragezone.com/threads/php-random-figure-generator-script.580949/
https://blog.homeforfiction.com/2020/06/06/javascript-random-text-generator/
http://www.dynamicdrive.com/forums/showthread.php?36529-Random-Weather-Generator-Script
https://www.lambdatest.com/free-online-tools/random-character-generator
https://www.ulc.org/wedding-ceremony-scripts/script-generator
https://learning.postman.com/docs/writing-scripts/script-references/variables-list/
DRAFT
https://youmescript.com/
https://www.plot-generator.org.uk/movie-script/
NOTE.
SCRIPT GENERATOR
SCREENPLAY GENERATOR
PLOT GENERATOR
STORY GENERATOR
RANDOM GENERATOR
AI GENERATOR
GENERATOR
GOOGLE SEARCH GENERATOR
NOTE. (SOFTWARE, ONLINE PLATFORM, DISTAL SERVER, VARIETY, ETC.) (FREE, ETC.) (DRAFT)
DRAFT
https://youmescript.com/
FADE IN:
EXT. SCARY FOREST - NIGHT
It's dark and stormy.
Tromping
Running
Darkening
Walk
Temperature assessment cognition
Head glance
Low gaze
Frosting
Icy wind whipping
Arm wrapping
Pace increasing
Partial step adjustment in motion
Action rolling sequence
Rolling film
Internal generator
Magnetic impairment
Dysequilibrium
Homeostatic adjustment cycle
Calibration system internal external interface variance etc. Draft
Drafting
Draft wind, steady motion wind
DRAFT
USA NAC DOM
SCREENPLAY
THE PROPHECY OF THE BECOMING OF JESUS CHRIST.
THERE HE IS...
FLASHBACK.
'WHO WILL APPEAR THERE.'
'IZV'
'ITS NOT AZIV'
'THE PEOPLE MIGHT NOT KNOW...'
'SILENCE.'
FLASHFORWARD
BABY BORIT IS 18 SITTING ON A BENCH ALONE OUTSIDE OF COLLEGE. CLEAN, HANDSOME, FAIR. DRAFT
THE BREEZE IS LIGHT, THE SUN IS LOW (CALIBRATED). NOT TOO HOT OR DANGEROUS OR COLD/HARSH/ETC.. DRAFT
SCENE CHANGE
A FAT WOMAN IS ON THE TELEPHONE WITH BEAUTIFUL HAIR, MAKEUP AND NAILS. SILENT FILM SCENE. BRIEF. 1 MINUTES.
DRAFT
SCENE CHANGE
THE COURTIERS OF REFINERY, SULTAINRY, AND VARITY AWAITED THE BECOMING OF THE PROPHECY.
DRAFT
THE PROPHECY BECAME UPON US.
GODSMACK APPEARED.
LARGE CROWDS GATHERED IN HIS HONOR, THE SON OF THE LORD.
IZV.
DRAFT
UNITED STATES BUREAU
MEN IN BLUE SUITS
PAPER
DRAFT
FINE SMALL TOWN
BUILD BY A FEW ENGINEERS.
FINE SMALL TOWN
AIRPLANE AND LOW HELICOPTER SHOTS OF SCENE.
SCENE PRESENTATION SLIDES TRANSITION AND COLLAGE MOMENT.
SCRAPBOOK NOTE. DRAFT
DRAFT
IN THE YEAR OF 2000 FIVE TEENAGERS AT THE BEACH CAMPING THE SUMMER BEFORE SENIOR YEAR IN HIGH SCHOOL.
A FEW OLDER COLLEGE GUYS CAMPING OUT DOWN THE WAY.
THE TEENAGERS MADE A BON FIRE, AND TOLD ONE SCARY STORY EACH WITH A FLASHLIGHT. DRAFT
(IN THE WIND, THE NOTE OR MESSAGE OR TALE REMINDER INDISCRIMINATE VAGUE LOOMING IN THE FUTURE, UNFORSEEN. NEVER ACTUALLY KNOWN FOR REAL OR CERTAIN. NEVER CERTAIN NEVER VAGUE. BLANK LINE. DRAFT)
DRAFT
ONE SHOE ON THE FLOOR, NOT PATENT. DRAFT
DRAFT
SCENE CHANGE
A FEW WOMEN BETWEEN 18-40 SPECIAL FRIENDS. YOUNG FOREVER. COSTUME, CHARACTER, BOOK AND PAPER. DRAFT
NANCY DREW.
TOWN TOUR CELEBRATION. DRAFT (SPECIAL CLASS, DRAFT) (DRAFT)
DRAFT
SCENE CHANGE
ELDER WOMAN AND A PHONE BOOK BLANK. NOSTALGIA. TIME. DRAFT
DRAFT
SCENE CHANGE
YOUNG WORKING BROWN HAIRED WOMAN (VELMA ATTIRE OR STYLE)(EXCEPT WITH BLAZER PURPLE AND JEANS) ON A CELLPHONE RUSHING TO LEAVE THE HOUSE, FORGETS HER CAR KEYS (NOTICES BEFORE LEAVING THE HOUSE) RETURNS TO RETRIEVE HER CAR KEYS AND LEAVES THE HOUSE LOCKS THE DOOR BOTH SIDES QUICKLY WITHOUT EXTRA NOTICE. QUICKLY VERIFIES THE LOCK. LOCKED. DRAFT
DRAFT
SCENE CHANGE
TEN GIRLS AGES 8-12 GATHER FOR THE CELEBRATION OF HALLOWEEN.
AN OCCASION OF WHITE POWER.
OCCULT CEREMONY OR WITCHES CIRCLE (SEANCE, OUIJI, ETC.).
DRAFT
SCENE CHANGE
APPEARS THE PROPHET, DR BETTEY DVM (AGE 20). DRAFT
DRAFT
SCENE CHANGE
VETERINARY HOSPITAL OR RESEARCH LABORATORY OR BETWEEN BASE ANIMAL RESCUE EUTHANASIA ETC., FACILITY/DOMAIN/REGION/ROOM/HOSPITAL/VAR/ETC.. DRAFT STANDARD CLEAN UP. TIGHT. DRAFT
SCENE CHANGE
DRAFT
A MAN WALKING HEAD DOWN, HUMID DAY, DAMP, BEFORE OR AFTER RAIN, COLD AND ALMOST NOT SUNNY. ODD DAY, DIFFICULT DAY. NOT THE MAN HE WAS BEFORE. BLUE SUIT, STRIPED TYE. HEAD HAIR DARKENING. IF ONLY...
DRAFT
SCENE CHANGE
MOTIF MAGIC APPEAR. MAGICAL THINKING AND MANY FANS GATHER OR VISIT TO CELEBRATE THE TIME OF MOTIFS AND THE MAGICAL SPIDRE OF THE HARRY POUDRE. DRAFT (PSYCHIATRY LIMITATIONS, EXPULSIONS, NO MOVEMENT, ETC.) (DRAFT). DARK ARTS AND WHITE MAGIC. BANISHMENT OF THE UNHOLY OR THE FORBIDDEN USE. DRAFT [SCENE OR DESCRIPTION PASSAGE MAY REQUIRE REWRITE. SHOULD BE IN COMPLIANCE WITH AUX RULE GAUGE, COMMONS, COMMUNITY, AROUND OR PERIPHERY SCHOOL (NOTE. TOWN, COMMUNITY, SCHOOL PERIPHERY, ETC..)(DRAFT), ALL AGES (SUB-GROUP OF A GROUP)(DRAFT), LIMITATIONS TERMS CONDITIONS RESTRICTIONS EXCEPTIONS EXEMPTIONS, ETC.. FOR EXAMPLE, COMMUNITY INDOOR ATHLETIC FACILITY AND COMMUNITY GATHERING, SCHEDULE, LOCATION/PLACE/TIME/DATE/INVITEES/PERSONS/ETC., LIMITATIONS, ZERO, ERASURES/ETC., LIMIT, ETC.. (DRAFT)
DRAFT
SCENE CHANGE
HARD WOMEN IN SUITS. PAPERS. THICK RIMMED GLASSES. NO NATI BETTEY. DRAFT
SILENT SCENE.
SCENE CHANGE.
DRAFT
CRUCIBLE AND THE CRUCIFIX [E.G. ASKEW OR MALIGNED (SABOTAGED AND REPENTANCE, REQUEST FOR MERCY, INNOCENCE OF THE IDEA/PATH/PERSON/ETC., STOLE MY IDEAS BEFORE I GOT TO IT.., ETC.), ETC..] (DRAFT) [THE CURSE OF THE PATH OF AMERICA] (DRAFT) {A NOTE FROM STEVE JOBS.} (DRAFT)
NOTE IS PUT DOWN BY WOMAN ON THE PHONE. THE NOTE DISAPPEARS INTO THIN AIR. DRAFT
SCENE CHANGE
DRAFT
BLANK PAPER
SCENE CHANGE
{ZAK BETTEY, KRUSTY THE CLOWN, ZAK THE ETERNAL PRUSSIAN TORTURER/PRUSSIAN TORTURER, ERROR, KRUSTEEZ, KRUMBLE BREADS AND FORGOT THE NAME, ETC.} (ZAK BETTEY REBORN, OR VAR OR RESEMBLANCE OR ETC., PERFECT BOY TO PERFECT MAN. MANY MEN. BLACK MAN. MAN. WHITE MAN. DRAFT) (DRAFT)
SPECIAL FORCES NOTE
DAVTOM ILLICIT ENTRANCE ABDUCTION DECLINE INFILTRATION NOT HOSTAGE REVEALS ASSAILANTSHIP CORPORATE CRIME CONTRACT ESPIONAGE AND IS A SPY AND A RUSSIAN SLAVE. DRAFT OVERWEIGHTS AND INFLATES AUTHORITY AND POSITION. GETS GRANTED A DEAL (BROKE A DEAL). DRAFT APPEARS FOR SECONDS BEFORE BLOWS UP, PASSES OUT OR SCENE TRANSITION...PAPER REMAINS OR NOT...UNCERTAIN OUTCOME... DRAFT
DRAFT
A MAN GETS OFF OF A PLANE WITH TEN MEN IN SUIT.
DRAFT
SCENE CHANE
INAUGRATION CEREMONY OF THE PRESIDENT.
DRAFT
SCENE CHANGE
ZAK BETTEY SITTING IN SHORTS.
A FEW MOMENTS. (DIFFICULT TO DETERMINE WHETHER OR NOT THE PERSON OR MAN IS ZAK BETTEY OR NOT, DESPITE THAT HE EVIDENCES A RESEMBLANCE TO ZAK BETTEY.)
(YOUTH LONG APPEARANCE, OR MANY YEARS OF YOUTH OR YOUTHFUL APPEARANCE.) (DRAFT)
DRAFT
SCENE CHANGE
CHURCH PASTOR AND OUTDOOR CHURCH CELEBRATION.
DRAFT
SCENE CHANGE
A SMALL CLASSROOM ENTERS AN ELDER TEACHER MAN.
DRAFT
SCENE CHANGE
A BLACK BALENCIAGA BAG RESTS ON THE FLOOR.
THE CAMERA OR SHOT IMAGE LIFTS TO REVEAL...
NATI BETTEY. PLUMP.
DRAFT
SCENE CHANGE
A SMALL CHILD APPEARS IN AN AUDITORIUM. SHE HOPS DOWN THE LONG STAIRCASE. THE CHILD OF THE CRUCIBLE/CRUCIFIX, OR FROM THE HEAVENS. DRAFT
DRAFT
SCENE CHANGE (OR TRANSITION) (DRAFT)
A MAN IS CRUCIFIED ELSEWHERE.
CHANTS IN THE BACKGROUND.
DRAFT
SCENE CHANGE
DRAFT
A FINE MAN OF WEALTH WITH STRUCTURED KHAKI LIGHT NOT YELLOW ORANGE VAR BROWN PURPLE GREEN ETC., APPRECIATES TWO HANDSOME DOGS OF SOME BREED UNK. DRAFT
SCENE CHANGE
A MAN OF STANDARD GROOMARY APPEARS AT A LOCATION OF FAIR OPERATION OF PURCHASATION. A DECENT MENS STORE. HANDSOME MAN (SUFFICIENT STANDARD ETC.). A FAT YELLOW-IVORY-BLOWER MAN LOOKS AT HIM. THE TALL HANDSOME MAN PROCESSION IN ABSENCE OF ADDRESSMENT OF CIRCUMSTANCE OR AGGRESSION. THE MAN APPEARED TO SHOP FOR PANTS. THE SECOND MAN IS NOW A MENACE OR HOARD, CORD, BOARD, VORD, SHORED, CORED, PORED, ETC.. DRAFT THE SECOND MAN IS AGGRESS, THE FIRST MAN NOW DIGRESS. DRAFT LIMITATIONS. COINCIDENCE FIRST SECOND CIRCUMSTANCE. DRAFT THIRD PARTY AUDIENCE AND THE AESTHETIC. DRAFT
DRAFT
SCENE CHANGE
CHOLE PASLM IS WAXY SMELLY SWEATY IN NAVY UNITARD UNIFORM ONE PIECE SUIT BLUE DAMN (DAMN BLUE).
DRAFT
https://www.scripts.com/script/odd_human_(a_script_created_by_a_random_script_generator)_24349
A screenplay, or script, is a written work by screenwriters for a film, television show, or video game (as opposed to a stage play). A screenplay written for television is also known as a teleplay. Screenplays can be original works or adaptations from existing pieces of writing. A screenplay is a form of narration in which the movements, actions, expressions and dialogue of the characters are described in a certain format. Visual or cinematographic cues may be given, as well as scene descriptions and scene changes.
https://en.wikipedia.org/wiki/Screenplay
Theatre or theater[a] is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. It is the oldest form of drama, though live theatre has now been joined by modern recorded forms. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience.[1] Places, normally buildings, where performances regularly take place are also called "theatres" (or "theaters"), as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe").[2]
https://en.wikipedia.org/wiki/Theatre
Pitch is the number of (monospaced) letters, numbers and spaces in one inch (25.4 mm) of running text, that is, characters per inch (abbreviated cpi), measured horizontally.[1][2] The pitch was most often used as a measurement of the size of typewriter fonts as well as those of impact printers used with computers.
The most widespread fonts in typewriters are 10 and 12 pitch, called Pica and Elite, respectively.[1][2][3] Both fonts have the same x-height, yielding six lines per vertical inch.[3] There may be other font styles with various width: condensed or compressed (17–20 cpi), italic or bold (10 pitch), enlarged (5–8 cpi), and so on.
Pica, the typewriter font, should not be confused with pica, a unit equal to 1⁄6 of an inch or twelve points, usually measured vertically.
https://en.wikipedia.org/wiki/Pitch_(typewriter)
https://en.wikipedia.org/wiki/Category:Typewriters
The IBM MT/ST (Magnetic Tape/Selectric Typewriter, and known in Europe as MT72[1]) was a model of the IBM Selectric typewriter, built into its own desk, integrated with magnetic tape recording and playback facilities, located in an attached enclosure, with controls and a bank of relays.[2] It was released by IBM in 1964.[3][4] It recorded text typed on 1/2" magnetic tape, approximately 25 kilobytes per tape cassette,[2] and allowed editing and re-recording during playback. It was the first system marketed as a word processor.[4] Most models had two tape drives, which greatly facilitated revision and enabled features such as mail merge.[4] An add-on module added a third tape station, to record the combined output of playback from the two stations.
https://en.wikipedia.org/wiki/IBM_MT/ST
The IBM Electromatic Table Printing Machine was a typesetting-quality printer, consisting of a modified IBM Electromatic Proportional Spacing Typewriter connected to a modified IBM 016 keypunch. A plugboard control panel was used for programming and formatting of the printout.
A deck of punched cards containing the table (calculated and punched by other unit record equipment) to be printed was put into the IBM 016, which read them and then controlled the typing of the typewriter through a box containing solenoids that depressed the keys. Printed output could then be photographically reproduced on a printing plate, which would be used in a printing press to make as many copies as needed.[1][2]
https://en.wikipedia.org/wiki/IBM_Electromatic_Table_Printing_Machine
https://en.wikipedia.org/wiki/Category:Impact_printers
https://en.wikipedia.org/wiki/CONTACT-EXPLOSIVE-NUCLEAR-RATE-MAG-STRIPPERY-ETC.-DRAFT
https://en.wikipedia.org/wiki/Category:Line_printers
https://en.wikipedia.org/wiki/CONTENDRE-LINEAR-BLANK-CODE-JOKE-DRAFT-ROTARY-ETC.-DRAFT
https://en.wikipedia.org/wiki/Train_printer
https://en.wikipedia.org/wiki/Servomechanism
https://en.wikipedia.org/wiki/ASA_carriage_control_characters
The high-speed motion of the paper often developed large electrostatic charges. Line printers frequently used a variety of discharge brushes and active (corona discharge-based) static eliminators to discharge these accumulated charges.
https://en.wikipedia.org/wiki/Line_printer#Train_printer
https://en.wikipedia.org/wiki/ELECTROSTATICS
https://en.wikipedia.org/wiki/STATS
https://en.wikipedia.org/wiki/STATICS
https://en.wikipedia.org/wiki/MEMORY
https://en.wikipedia.org/wiki/CODE
https://en.wikipedia.org/wiki/PROCESS-AUTO-DEF-ZERO-ENV-RANGE-TETHER-TIME-DRAFT
https://en.wikipedia.org/wiki/ETC.
https://en.wikipedia.org/wiki/SUN-CORE-ROTARY-DRAFT
https://en.wikipedia.org/wiki/MAG-DRAFT
https://en.wikipedia.org/wiki/ARSENIC-DEVELOPER-ETC.
https://en.wikipedia.org/wiki/SHEAR-PRESSURE-VERT-PRESS-VAR-ETC.-DRAFT
https://en.wikipedia.org/wiki/ROTARY-NESTED-SYSTEM-CALIBRATION-MEASURE-REFINEMENT-ETC.-DRAFT
These continuous forms were advanced through the printer by means of tractors (sprockets or sprocket belts).
https://en.wikipedia.org/wiki/Line_printer#Train_printer
Standard "green bar" page sizes included portrait-format pages of 8½ × 11 inches (letter size), usually printed at 80 columns by 66 lines of characters (at 6 lines per inch) or 88 lines (at 8 LPI), and landscape-format pages of 14 × 11 inches, usually printed at 132 columns by 66 or 88 lines. Also common were landscape-format pages of 14 × 8½ inches (legal size), allowing for 132 columns by 66 lines (at 8 LPI) on a more compact page.
https://en.wikipedia.org/wiki/Line_printer#Train_printer
All line printers used continuous form paper provided in boxes of continuous fan-fold forms rather than cut-sheets. The paper was usually perforated to tear into cut sheets if desired and was commonly printed with alternating white and light-green areas, allowing the reader to easily follow a line of text across the page. This was the iconic "green bar", "blue bar" or "music-ruled" form that dominated the early computer age. Pre-printed forms were also commonly used (for printing cheques, invoices, etc.). A common task for the system operator was to change from one paper form to another as one print job completed and another was to begin. Some line printers had covers that opened automatically when the printer required attention.
https://en.wikipedia.org/wiki/Line_printer#Train_printer
Tabulators built by the U.S. Census Bureau for the 1910 census could print their results.[8] Prior to that, tabulator operators had to write down totals from counter wheels onto tally sheets.[9] IBM developed a series of printing accounting machines, beginning in 1920. The 285 Numeric Printing Tabulator could read 150 cards per minute. The 405, introduced in 1934, could print at 80 lines per minute. It had 88 type bars, one for each print position, with 43 alphanumeric bars on the left, followed by 45 numeric-only bars.[10][11] The IBM 402 series, introduced after World War II, had a similar print arrangement and was used by IBM in early computing devices, including the IBM Card-Programmed Electronic Calculator.[12]
https://en.wikipedia.org/wiki/Line_printer#Train_printer
Early mainframe printers were usually line printers. Line printers provide a limited set of commands to control how the paper is advanced when print lines are printed. The application writing reports, list, etc. to be printed has to include those commands in the print data. These single character print commands are called printer control characters.
https://en.wikipedia.org/wiki/IBM_Machine_Code_Printer_Control_Characters
While mostly replaced by an electronic versions later on, line printers initially used a loop of punched paper tape to control the movement of the paper while printing. This tape is called a carriage control tape and is mounted on the printer. The looped carriage tape moves synchronously with the stream of fanfold paper.
https://en.wikipedia.org/wiki/IBM_Machine_Code_Printer_Control_Characters
The attribute for specifying the presence of print control characters is part of the Record Format (aka RECFM) attribute must therefore allow for two variants:
https://en.wikipedia.org/wiki/IBM_Machine_Code_Printer_Control_Characters
https://en.wikipedia.org/wiki/IBM_Machine_Code_Printer_Control_Characters
A play is a work of drama, usually consisting mostly of dialogue between characters and intended for theatrical performance rather than just reading. The writer of a play is called a playwright.
Plays are performed at a variety of levels, from London's West End and Broadway in New York City – which are the highest level of commercial theatre in the English-speaking world – to regional theatre, to community theatre, as well as university or school productions. A stage play is a play performed and written to be performed on stage rather than broadcast or made into a movie. Stage plays are those performed on any stage before an audience. There are rare dramatists, notably George Bernard Shaw, who have had little preference as to whether their plays were performed or read. The term "play" can refer to both the written texts of playwrights and to their complete theatrical performance.[1]
https://en.wikipedia.org/wiki/Play_(theatre)
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A screenplay, or script, is a written work by screenwriters for a film, television show, or video game (as opposed to a stage play). A screenplay written for television is also known as a teleplay. Screenplays can be original works or adaptations from existing pieces of writing. A screenplay is a form of narration in which the movements, actions, expressions and dialogue of the characters are described in a certain format. Visual or cinematographic cues may be given, as well as scene descriptions and scene changes.
https://en.wikipedia.org/wiki/Screenplay
GENERAL COMMONS DOMAIN (DRAFT)
FICTION WRITERS HANDBOOK
SCREENPLAY WRITING
BORDERS
BARNS AND NOBLE
USED BOOKSTORE
GOODWILL
LIBRARY
SMALL BOOK STORE
INDEPENDENT BOOK STORE
PUBLISHERS STORE
ETC.
DRAFT
[LIMITATIONS TERMS CONDITIONS RESTRICTIONS EXCEPTIONS EXEMPTIONS ETC. DRAFT] (DRAFT)
In the early silent era, before the turn of the 20th century, "scripts" for films in the United States were usually a synopsis of a film of around one paragraph and sometimes as short as one sentence.[1] Shortly thereafter, as films grew in length and complexity, film scenarios (also called "treatments" or "synopses"[2]: 92 ) were written to provide narrative coherence that had previously been improvised.[1] Films such as A Trip to the Moon (1902) and The Great Train Robbery (1903) had scenarios consisting respectively of a list of scene headings or scene headings with a detailed explication of the action in each scene.[1] At this time, scripts had yet to include individual shots or dialogue.[1]
https://en.wikipedia.org/wiki/Screenplay
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https://en.wikipedia.org/wiki/Screenplay
The format is structured so that (as a ballpark estimate) one page equates to roughly one minute of screen time, though this often bears little resemblance to the runtime of the final production.[3] The standard font is 12 point, 10 pitch Courier typeface.[4] Wide margins of at least one inch are employed (usually larger for the left to accommodate hole punches).
https://en.wikipedia.org/wiki/Screenplay
With the end of the studio system in the 1950s and 1960s, these continuities were gradually split into a master-scene script, which includes all dialogue but only rudimentary scene descriptions and a shooting script devised by the director after a film is approved for production.[1] While studio era productions required the explicit visual continuity and strict adherence to a budget that continuity scripts afforded, the master-scene script was more readable, which is of importance to an independent producer seeking financing for a project.[1] By the production of Chinatown (1974), this change was complete.[1] Andrew Kenneth Gay argues that this shift has raised the status of directors as auteurs and lowered the profile of screenwriters.[1] However, he also notes that since the screenplay is no longer a technical document, screenwriting is more of a literary endeavour.[1]
https://en.wikipedia.org/wiki/Screenplay
A speculative screenplay or "spec script" is a script written to be sold on the open market with no upfront payment, or promise of payment. The content is usually invented solely by the screenwriter, though spec screenplays can also be based on established works or real people and events.[12]
https://en.wikipedia.org/wiki/Screenplay
Although most writing contracts continue to stipulate physical delivery of three or more copies of a finished script, it is common for scripts to be delivered electronically via email. Electronic copies allow easier copyright registration and also documenting "authorship on a given date".[6] Authors can register works with the WGA's Registry,[7] and even television formats using the FRAPA's system.[8][9]
https://en.wikipedia.org/wiki/Screenplay
The script format for documentaries and audio-visual presentations which consist largely of voice-over matched to still or moving pictures is different again and uses a two-column format which can be particularly difficult to achieve in standard word processors, at least when it comes to editing or rewriting. Many script-editing software programs include templates for documentary formats.
https://en.wikipedia.org/wiki/Screenplay
Script coverage is a filmmaking term for the analysis and grading of screenplays, often within the script-development department of a production company. While coverage may remain entirely verbal, it usually takes the form of a written report, guided by a rubric that varies from company to company. The original idea behind coverage was that a producer's assistant could read a script and then give their producer a breakdown of the project and suggest whether they should consider producing the screenplay or not.[13]
https://en.wikipedia.org/wiki/Screenplay
https://en.wikipedia.org/wiki/Screenplay
https://en.wikipedia.org/wiki/Screenplay
 | This article needs additional citations for verification. (May 2023) |
Black-and-white (B&W or B/W) images combine black and white in a continuous spectrum, producing a range of shades of grey.
https://en.wikipedia.org/wiki/Black-and-white
https://en.wikipedia.org/wiki/Category:Fiction_forms
A mockumentary (a portmanteau of mock and documentary) is one type of film or television show depicting fictional events, but presented as a documentary which in itself is a subset of a faux-documentary style of film-making.[1]
These productions are often used to analyze or comment on current events and issues by using a fictional setting, or to parody the documentary form itself.[2] While mockumentaries are usually comedic, pseudo-documentaries are their dramatic equivalents. However, pseudo-documentary should not be confused with docudrama, a fictional genre in which dramatic techniques are combined with documentary elements to depict real events. Nor should either of those be confused with docufiction, a genre in which documentaries are contaminated with fictional elements.
Mockumentaries are often presented as historical documentaries, with B roll and talking heads discussing past events, or as cinéma vérité pieces following people as they go through various events. Examples emerged during the 1950s when archival film footage became available.[2] A very early example was a short piece on the "Swiss Spaghetti Harvest" that appeared as an April Fools' prank on the British television program Panorama in 1957.
The term "mockumentary", which originated in the 1960s, was popularized in the mid-1980s when This Is Spinal Tap director Rob Reiner used it in interviews to describe that film.[3][4][5]
Mockumentaries can be partly or wholly improvised.
https://en.wikipedia.org/wiki/Mockumentary
In film and television production, B-roll, B roll, B-reel or B reel is supplemental or alternative footage intercut with the main shot.[1] The term A-roll, referring to main footage, has fallen out of use.[2]
Films and videos may cut away from the main story to show related scenery or action. Establishing shots may be used to show the audience the context of the story. These secondary images are often presented without sound, or with very low level sound, as the sound from the primary footage is expected to continue while the other images are shown. The various shots presented without sound are called B-roll.[3]
B-roll may be shot by smaller second unit crews, since there is no need for sound. In film, smaller MOS cameras, lacking sound circuitry, may be used for greater portability and ease of setup.[3] In electronic news-gathering (ENG) and documentary film projects, B-roll footage is often shot after the main interview is shot, to provide supporting scenes for what was said by the interview subject.[2] In a docudrama project, B-roll may refer to dramatic re-enactment scenes staged by the producer and performed by actors, to be used as cutaway shots.[4]
There are many different types of B-roll, including: insert shots, FX shots, establishing shots, stock footage, and pickup shots.[5]
B-roll footage may be added to or drawn from a stock footage library.[1][4]
https://en.wikipedia.org/wiki/B-roll
Screenwriting software are word processors specialized to the task of writing screenplays.
https://en.wikipedia.org/wiki/Screenwriting_software
Jest books (or jestbooks) are collections of jokes and humorous anecdotes in book form – a literary genre which reached its greatest importance in the early modern period.[1]
https://en.wikipedia.org/wiki/Jest_book
The low-life, realistic tone of the jest book, akin to coney-catching pamphlets, fed into the early English novels (or at least prose fiction) of writers like Thomas Nashe and Thomas Deloney.[13] Jestbooks also contributed to popular stage entertainment, through such dramatists as Marlowe and Shakespeare.[14] Playbooks and jestbooks were treated as forms of light entertainment, with jokes from the one being recycled in the other, and vice versa.[15]
https://en.wikipedia.org/wiki/Jest_book
Coney-catching is Elizabethan slang for theft through trickery. It comes from the word "coney" (sometimes spelled conny), meaning a rabbit raised for the table and thus tame.[1]
A coney-catcher was a thief or con man.[2]
It was a practice in medieval and Renaissance England in which devious people on the street would try to con or cheat vulnerable or gullible pedestrians. The term appears in The Taming of the Shrew and The Merry Wives of Windsor by William Shakespeare, and in the John Florio translation of Montaigne's essay, "Of the Cannibals."
The term was first used in print by Robert Greene in a series of 1592 pamphlets,[3] [4] the titles of which included "The Defence of Conny-catching," in which he argued there were worse crimes to be found among "reputable" people, and "A Disputation betweene a Hee Conny-catcher and a Shee Conny-catcher." Kirby Farrell wrote a book called Cony-catching in 1971. Virginia Woolf mentions "cony catchers" in her 1928 novel Orlando: A Biography.
https://en.wikipedia.org/wiki/Coney-catching
https://en.wikipedia.org/wiki/Category:Archaic_English_words_and_phrases
https://en.wikipedia.org/wiki/Changes_to_Old_English_vocabulary
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Etymology (/ˌɛtɪˈmɒlədʒi/ ET-im-OL-ə-jee[1]) is the study of the origin and evolution of a word's semantic meaning across time, including its constituent morphemes and phonemes.[2][3] It is a subfield of historical linguistics, and draws upon comparative semantics, morphology, semiotics, and phonetics.
For languages with a long written history, etymologists make use of texts, and texts about the language, to gather knowledge about how words were used during earlier periods, how they developed in meaning and form, or when and how they entered the language. Etymologists also apply the methods of comparative linguistics to reconstruct information about forms that are too old for any direct information to be available. By analyzing related languages with a technique known as the comparative method, linguists can make inferences about their shared parent language and its vocabulary. In this way, word roots in many European languages, for example, can be traced all the way back to the origin of the Indo-European language family.
Even though etymological research originated from the philological tradition, much current etymological research is done on language families where little or no early documentation is available, such as Uralic and Austronesian.
https://en.wikipedia.org/wiki/Etymology
The Uralic languages (/jʊəˈrælɪk/; sometimes called Uralian languages /jʊəˈreɪliən/) form a language family of 38[1] languages spoken natively by approximately 25 million people, predominantly in Europe (over 99% of the family's speakers) and northern Asia (less than 1%). The Uralic languages with the most native speakers are Hungarian (which alone accounts for nearly 60% of speakers), Finnish, and Estonian. Other significant languages with fewer speakers are Erzya, Moksha, Mari, Udmurt, Sami, Komi, and Vepsian, all of which are spoken in northern regions of Scandinavia and the Russian Federation.
https://en.wikipedia.org/wiki/Uralic_languages
The name "Uralic" derives from the family's purported "original homeland" (Urheimat) hypothesized to have been somewhere in the vicinity of the Ural Mountains.
Finno-Ugric is sometimes used as a synonym for Uralic, though Finno-Ugric is widely understood to exclude the Samoyedic languages.[2] Scholars who do not accept the traditional notion that Samoyedic split first from the rest of the Uralic family may treat the terms as synonymous.[3]
https://en.wikipedia.org/wiki/Uralic_languages
https://en.wikipedia.org/wiki/SIBERIA
https://en.wikipedia.org/wiki/X-RAY-CATHODE
https://en.wikipedia.org/wiki/RAILGUN
https://en.wikipedia.org/wiki/MECHANICS_MECHANICAL_PHYSICS
https://en.wikipedia.org/wiki/DRAFT
