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Tuesday, May 23, 2023

05-23-2023-0226 - Historical fantasy is a category of fantasy and genre of historical fiction ; etc. (draft)

Arthur Rackham's illustration for Alfred W. Pollard's The Romance of King Arthur abridged from Thomas Malory's 15th-century Arthurian medieval fantasy novel Le Morte d'Arthur

Historical fantasy is a category of fantasy and genre of historical fiction that incorporates fantastic elements (such as magic) into a more "realistic" narrative.[1] There is much crossover with other subgenres of fantasy; those classed as Arthurian, Celtic, or Dark Ages could just as easily be placed in historical fantasy.[2] Stories fitting this classification generally take place prior to the 20th century.

Films of this genre may have plots set in biblical times or classical antiquity. They often have plots based very loosely on mythology or legends of Greek-Roman history, or the surrounding cultures of the same era.


https://en.wikipedia.org/wiki/Historical_fantasy

https://en.wikipedia.org/wiki/Historical_fantasy

Subgenres

Arabian fantasy

Cassim in the treasure-filled thieves' cave

After Antoine Galland's translation of One Thousand and One Nights became popular in Europe, many writers wrote fantasy based on Galland's romantic image of the Middle East and North Africa. Early examples included the satirical tales of Anthony Hamilton, and Zadig by Voltaire.[7] English-language work in the Arabian fantasy genre includes Rasselas (1759) by Samuel Johnson, The Tales of the Genii by James Ridley (1764), Vathek by William Thomas Beckford (1786),[8] George Meredith's The Shaving of Shagpat (1856), Khaled (1891) by F. Marion Crawford, and James Elroy Flecker's Hassan (1922).[9]

In the late 1970s, interest in the subgenre revived with Hasan (1977) by Piers Anthony. This was followed by several other novels reworking Arabian legend: the metafictional The Arabian Nightmare (1983) by Robert Irwin, Diana Wynne Jones' children's novel Castle in the Air (1990), Tom Holt's humorous Djinn Rummy (1995) and Hilari Bell's Fall of a Kingdom.[9] 

https://en.wikipedia.org/wiki/Historical_fantasy

Classical fantasy

Classical fantasy is a subgenre fantasy based on the Greek and Roman myths. Symbolism from classical mythology is enormously influential on Western culture, but it was not until the 19th century that it was used in the context of literary fantasy. Richard Garnett (The Twilight of the Gods and Other Tales, 1888, revised 1903) and John Kendrick Bangs (Olympian Nights, 1902) used the Greek myths for satirical purposes.[17]

20th-century writers who made extensive use of the subgenre included John Erksine, who continued the satirical tradition of classical fantasy in such works as The Private Life of Helen of Troy (1925) and Venus, the Lonely Goddess (1949). Eden Phillpotts used Greek myths to make philosophical points in such fantasies as Pan and the Twins (1922) and Circe's Island (1925).[17] Jack Williamson's The Reign of Wizardry (Unknown Worlds, 1940) is an adventure story based on the legend of Theseus.[18] Several of Thomas Burnett Swann's novels draw on Greek and Roman myth, including Day of the Minotaur (1966).[19] The Firebrand (1986) by Marion Zimmer Bradley and Olympic Games (2004) by Leslie What are both classical fantasy tales with feminist undertones.[17] Guy Gavriel Kay who has made a career out of historical fantasy, set his two novels in The Sarantine Mosaic series in a parallel world heavily mirroring Justinian I's Byzantium. 

https://en.wikipedia.org/wiki/Historical_fantasy

 

 

 https://en.wikipedia.org/wiki/Historical_fantasy

 

An idyll (/ˈdɪl/, UK also /ˈɪdɪl/; from Greek εἰδύλλιον, eidullion, "short poem"; occasionally spelt idyl in American English)[1][2][3] is a short poem, descriptive of rustic life, written in the style of Theocritus' short pastoral poems, the Idylls (Εἰδύλλια).

Unlike Homer, Theocritus did not engage in heroes and warfare. His idylls are limited to a small intimate world, and describe scenes from everyday life. Later imitators include the Roman poets Virgil and Catullus, Italian poets Torquato Tasso, Sannazaro and Leopardi, the English poet Alfred, Lord Tennyson (Idylls of the King), and Nietzsche's Idylls from Messina. Goethe called his poem Hermann and Dorothea—which Schiller considered the very climax in Goethe's production—an idyll.[4]

https://en.wikipedia.org/wiki/Idyll

Arcadia (Greek: Αρκαδία) refers to a vision of pastoralism and harmony with nature. The term is derived from the Greek province of the same name which dates to antiquity; the province's mountainous topography and sparse population of pastoralists later caused the word Arcadia to develop into a poetic byword for an idyllic vision of unspoiled wilderness. Arcadia is a poetic term associated with bountiful natural splendor and harmony. The 'Garden' is often inhabited by shepherds. The concept also figures in Renaissance mythology. Although commonly thought of as being in line with Utopian ideals, Arcadia differs from that tradition in that it is more often specifically regarded as unattainable. Furthermore, it is seen as a lost, Edenic form of life, contrasting to the progressive nature of Utopian desires.

The inhabitants were often regarded as having continued to live after the manner of the Golden Age, without the pride and avarice that corrupted other regions.[1] It is also sometimes referred to in English poetry as Arcady. The inhabitants of this region bear an obvious connection to the figure of the noble savage, both being regarded as living close to nature, uncorrupted by civilization, and virtuous. 

https://en.wikipedia.org/wiki/Arcadia_(utopia)

Alvan Fisher, Pastoral Landscape, 1854

The pastoral genre of literature, art, or music depicts an idealised form of the shepherd's lifestyle – herding livestock around open areas of land according to the seasons and the changing availability of water and pasture. The target audience is typically an urban one. A pastoral is a work of this genre. A piece of music in the genre is usually referred to as a pastorale.

The genre is also known as bucolic, from the Greek βουκολικόν, from βουκόλος, meaning a cowherd.[1][2] 

https://en.wikipedia.org/wiki/Pastoral

Idylls of the King, published between 1859 and 1885, is a cycle of twelve narrative poems by the English poet Alfred, Lord Tennyson (1809–1892; Poet Laureate from 1850) which retells the legend of King Arthur, his knights, his love for Guinevere and her tragic betrayal of him, and the rise and fall of Arthur's kingdom.

The whole work recounts Arthur's attempt and failure to lift up mankind and create a perfect kingdom, from his coming to power to his death at the hands of the traitor Mordred. Individual poems detail the deeds of various knights, including Lancelot, Geraint, Galahad, and Balin and Balan, and also Merlin and the Lady of the Lake. There is little transition between Idylls, but the central figure of Arthur links all the stories. The poems were dedicated to the late Albert, Prince Consort.

The Idylls are written in blank verse. Tennyson's descriptions of nature are derived from observations of his own surroundings, collected over the course of many years. The dramatic narratives are not an epic either in structure or tone, but derive elegiac sadness in the style of the idylls of Theocritus. Idylls of the King is often read as an allegory of the societal conflicts in Britain during the mid-Victorian era

https://en.wikipedia.org/wiki/Idylls_of_the_King

 

 

https://en.wikipedia.org/wiki/Idyllic_account

https://en.wikipedia.org/wiki/Idealism

 

https://en.wikipedia.org/wiki/Recontextualisation

https://en.wikipedia.org/wiki/Recoupment

https://en.wikipedia.org/wiki/Flashback_(narrative)

 

https://en.wikipedia.org/wiki/Reminiscence?wprov=srpw1_0

https://en.wikipedia.org/wiki/Nostalgia

 

https://en.wikipedia.org/wiki/Tale

https://en.wikipedia.org/wiki/Narrative

https://en.wikipedia.org/wiki/fiction

https://en.wikipedia.org/wiki/non-fiction

 

https://en.wikipedia.org/wiki/Biography

https://en.wikipedia.org/wiki/Autobiography

https://en.wikipedia.org/wiki/Ghostwriter

 

 https://en.wikipedia.org/wiki/Script_doctor

 

The classical period: Apologia, oration, confession

In antiquity such works were typically entitled apologia, purporting to be self-justification rather than self-documentation. The title of John Henry Newman's 1864 Christian confessional work Apologia Pro Vita Sua refers to this tradition.

The historian Flavius Josephus introduces his autobiography Josephi Vita (c. 99) with self-praise, which is followed by a justification of his actions as a Jewish rebel commander of Galilee.[4]

The rhetor Libanius (c. 314–394) framed his life memoir Oration I (begun in 374) as one of his orations, not of a public kind, but of a literary kind that would not be read aloud in privacy.

Augustine of Hippo (354–430) applied the title Confessions to his autobiographical work, and Jean-Jacques Rousseau used the same title in the 18th century, initiating the chain of confessional and sometimes racy and highly self-critical autobiographies of the Romantic era and beyond. Augustine's was arguably the first Western autobiography ever written, and became an influential model for Christian writers throughout the Middle Ages. It tells of the hedonistic lifestyle Augustine lived for a time within his youth, associating with young men who boasted of their sexual exploits; his following and leaving of the anti-sex and anti-marriage Manichaeism in attempts to seek sexual morality; and his subsequent return to Christianity due to his embracement of Skepticism and the New Academy movement (developing the view that sex is good, and that virginity is better, comparing the former to silver and the latter to gold; Augustine's views subsequently strongly influenced Western theology[5]). Confessions is considered one of the great masterpieces of western literature.[6]

Peter Abelard's 12th-century Historia Calamitatum is in the spirit of Augustine's Confessions, an outstanding autobiographical document of its period. 

https://en.wikipedia.org/wiki/Autobiography

 

18th and 19th centuries

Cover of the first English edition of Benjamin Franklin's autobiography, 1793

Following the trend of Romanticism, which greatly emphasized the role and the nature of the individual, and in the footsteps of Jean-Jacques Rousseau's Confessions, a more intimate form of autobiography, exploring the subject's emotions, came into fashion. Stendhal's autobiographical writings of the 1830s, The Life of Henry Brulard and Memoirs of an Egotist, are both avowedly influenced by Rousseau.[15] An English example is William Hazlitt's Liber Amoris (1823), a painful examination of the writer's love-life.

With the rise of education, cheap newspapers and cheap printing, modern concepts of fame and celebrity began to develop, and the beneficiaries of this were not slow to cash in on this by producing autobiographies. It became the expectation—rather than the exception—that those in the public eye should write about themselves—not only writers such as Charles Dickens (who also incorporated autobiographical elements in his novels) and Anthony Trollope, but also politicians (e.g. Henry Brooks Adams), philosophers (e.g. John Stuart Mill), churchmen such as Cardinal Newman, and entertainers such as P. T. Barnum. Increasingly, in accordance with romantic taste, these accounts also began to deal, amongst other topics, with aspects of childhood and upbringing—far removed from the principles of "Cellinian" autobiography. 

https://en.wikipedia.org/wiki/Autobiography

 

20th and 21st centuries

From the 17th century onwards, "scandalous memoirs" by supposed libertines, serving a public taste for titillation, have been frequently published. Typically pseudonymous, they were (and are) largely works of fiction written by ghostwriters. So-called "autobiographies" of modern professional athletes and media celebrities—and to a lesser extent about politicians—generally written by a ghostwriter, are routinely published. Some celebrities, such as Naomi Campbell, admit to not having read their "autobiographies".[16] Some sensationalist autobiographies such as James Frey's A Million Little Pieces have been publicly exposed as having embellished or fictionalized significant details of the authors' lives.

Autobiography has become an increasingly popular and widely accessible form. A Fortunate Life by Albert Facey (1979) has become an Australian literary classic.[17] With the critical and commercial success in the United States of such memoirs as Angela’s Ashes and The Color of Water, more and more people have been encouraged to try their hand at this genre. Maggie Nelson's book The Argonauts is one of the recent autobiographies. Maggie Nelson calls it "autotheory"—a combination of autobiography and critical theory.[18]

A genre where the "claim for truth" overlaps with fictional elements though the work still purports to be autobiographical is autofiction

https://en.wikipedia.org/wiki/Autobiography

 

https://en.wikipedia.org/wiki/Autobiography

 

In literary criticism, autofiction is a form of fictionalized autobiography.

Autofiction combines two mutually inconsistent narrative forms, namely autobiography, and fiction. An author may decide to recount their life in the third person, to modify significant details and characters, using fictive subplots and imagined scenarios with real-life characters in the service of a search for self. In this way, autofiction shares similarities with the Bildungsroman as well as the New Narrative movement and has parallels with faction, a genre devised by Truman Capote to describe his novel In Cold Blood.[1] 

https://en.wikipedia.org/wiki/Autofiction

Autobiographical memory (AM)[1] is a memory system consisting of episodes recollected from an individual's life, based on a combination of episodic (personal experiences and specific objects, people and events experienced at particular time and place)[2] and semantic (general knowledge and facts about the world) memory.[3] It is thus a type of explicit memory

https://en.wikipedia.org/wiki/Autobiographical_memory

A letter collection consists of a publication, usually a book, containing a compilation of letters written by a real person. Unlike an epistolary novel, a letter collection belongs to non-fiction literature. As a publication, a letter collection is distinct from an archive, which is a repository of original documents.

Usually, the original letters are written over the course of the lifetime of an important individual, noted either for their social position or their intellectual influence, and consist of messages to specific recipients. They might also be open letters intended for a broad audience. After these letters have served their original purpose, a letter collection gathers them to be republished as a group.[1] Letter collections, as a form of life writing, serve a biographical purpose.[2] They also typically select and organize the letters to serve an aesthetic or didactic aim, as in literary belles-lettres and religious epistles.[3] The editor who chooses, organizes, and sometimes alters the letters plays a major role in the interpretation of the published collection.[4] Letter collections have existed as a form of literature in most times and places where letter-writing played a prominent part of public life. Before the invention of printing, letter collections were recopied and circulated as manuscripts, like all literature.[1] 

https://en.wikipedia.org/wiki/Letter_collection

https://en.wikipedia.org/wiki/rank

https://en.wikipedia.org/wiki/Unreliable_narrator

 

 

Title page of Henry Thoreau's memoir, Walden (1854)

A memoir (/ˈmɛm.wɑːr/;[1] from French mémoire [me.mwaʁ], from Latin memoria 'memory, remembrance') is any nonfiction narrative writing based on the author's personal memories.[2][3] The assertions made in the work are thus understood to be factual. While memoir has historically been defined as a subcategory of biography or autobiography since the late 20th century, the genre is differentiated in form, presenting a narrowed focus, usually a particular time phase in someone's life or career. A biography or autobiography tells the story "of a life", while a memoir often tells the story of a particular career, event, or time, such as touchstone moments and turning points in the author's life. The author of a memoir may be referred to as a memoirist or a memorialist

https://en.wikipedia.org/wiki/Memoir

 

Mémoires de J. Casanova de Seingalt, écrits par lui-même
Portrait of Giacomo Casanova (made about 1750–1755) by his brother Francesco Casanova (State Historical Museum, Moscow).
First page of Casanova's manuscript.

Histoire de ma vie (History of My Life) is both the memoir and autobiography of Giacomo Casanova, a famous 18th-century Italian adventurer. A previous, bowdlerized version was originally known in English as The Memoirs of Jacques Casanova (from the French Mémoires de Jacques Casanova) until the original version was published between 1960 and 1962. The unexpurgated English translation was published in 1971.

From 1838 to 1960, all the editions of the memoirs were derived from the censored editions produced in German and French in the early nineteenth century. Arthur Machen used one of these inaccurate versions for his English translation published in 1894 which remained the standard English edition for many years.

Although Casanova was Venetian (born 2 April 1725, in Venice, died 4 June 1798, in Dux, Bohemia, now Duchcov, Czech Republic), the book is written in French, which was the dominant language in the upper class at the time. The book covers Casanova's life only through 1774, although the full title of the book is Histoire de ma vie jusqu'à l'an 1797 (History of my Life until the year 1797).

On 18 February 2010, the National Library of France purchased the 3,700-page manuscript[1] of Histoire de ma vie for approximately €7 million (£5,750,000). The manuscript is believed to have been given to Casanova's nephew, Carlo Angiolini, in 1798. The manuscript is believed to contain pages not previously read or published.[2] Following this acquisition, a new edition of the Bibliothèque de la Pléiade, based on the manuscript, was published from 2013 to 2015.[3] 

https://en.wikipedia.org/wiki/Histoire_de_ma_vie

 

Third Volume of a 1727 edition of Plutarch's Lives of the Noble Greeks and Romans printed by Jacob Tonson

A biography, or simply bio, is a detailed description of a person's life. It involves more than just basic facts like education, work, relationships, and death; it portrays a person's experience of these life events. Unlike a profile or curriculum vitae (résumé), a biography presents a subject's life story, highlighting various aspects of their life, including intimate details of experience, and may include an analysis of the subject's personality.

Biographical works are usually non-fiction, but fiction can also be used to portray a person's life. One in-depth form of biographical coverage is called legacy writing. Works in diverse media, from literature to film, form the genre known as biography.

An authorized biography is written with the permission, cooperation, and at times, participation of a subject or a subject's heirs. An autobiography is written by the person themselves, sometimes with the assistance of a collaborator or ghostwriter

https://en.wikipedia.org/wiki/Biography

 

From the same region a couple of centuries later, according to another famous biography, departed Abraham. He and his 3 descendants became subjects of ancient Hebrew biographies whether fictional or historical.

One of the earliest Roman biographers was Cornelius Nepos, who published his work Excellentium Imperatorum Vitae ("Lives of outstanding generals") in 44 BC. Longer and more extensive biographies were written in Greek by Plutarch, in his Parallel Lives, published about 80 A.D. In this work famous Greeks are paired with famous Romans, for example, the orators Demosthenes and Cicero, or the generals Alexander the Great and Julius Caesar; some fifty biographies from the work survive. Another well-known collection of ancient biographies is De vita Caesarum ("On the Lives of the Caesars") by Suetonius, written about AD 121 in the time of the emperor Hadrian. Meanwhile, in the eastern imperial periphery, Gospel described the life of Jesus

https://en.wikipedia.org/wiki/Biography

 

John Foxe's The Book of Martyrs, was one of the earliest English-language biographies.

https://en.wikipedia.org/wiki/Biography

 

By the late Middle Ages, biographies became less church-oriented in Europe as biographies of kings, knights, and tyrants began to appear. The most famous of such biographies was Le Morte d'Arthur by Sir Thomas Malory. The book was an account of the life of the fabled King Arthur and his Knights of the Round Table. Following Malory, the new emphasis on humanism during the Renaissance promoted a focus on secular subjects, such as artists and poets, and encouraged writing in the vernacular.

Giorgio Vasari's Lives of the Artists (1550) was the landmark biography focusing on secular lives. Vasari made celebrities of his subjects, as the Lives became an early "bestseller". Two other developments are noteworthy: the development of the printing press in the 15th century and the gradual increase in literacy

https://en.wikipedia.org/wiki/Biography

 

Influential in shaping popular conceptions of pirates, A General History of the Pyrates (1724), by Charles Johnson, is the prime source for the biographies of many well-known pirates.[5] 

https://en.wikipedia.org/wiki/Biography

 

A notable early collection of biographies of eminent men and women in the United Kingdom was Biographia Britannica (1747-1766) edited by William Oldys

https://en.wikipedia.org/wiki/Biography

 

Autobiographies became more popular, as with the rise of education and cheap printing, modern concepts of fame and celebrity began to develop. Autobiographies were written by authors, such as Charles Dickens (who incorporated autobiographical elements in his novels) and Anthony Trollope, (his Autobiography appeared posthumously, quickly becoming a bestseller in London[13]), philosophers, such as John Stuart Mill, churchmen – John Henry Newman – and entertainers – P. T. Barnum

https://en.wikipedia.org/wiki/Biography

 

Eminent Victorians set the standard for 20th century biographical writing, when it was published in 1918.

https://en.wikipedia.org/wiki/Biography

 

Modern biography

The sciences of psychology and sociology were ascendant at the turn of the 20th century and would heavily influence the new century's biographies.[14] The demise of the "great man" theory of history was indicative of the emerging mindset. Human behavior would be explained through Darwinian theories. "Sociological" biographies conceived of their subjects' actions as the result of the environment, and tended to downplay individuality. The development of psychoanalysis led to a more penetrating and comprehensive understanding of the biographical subject, and induced biographers to give more emphasis to childhood and adolescence. Clearly these psychological ideas were changing the way biographies were written, as a culture of autobiography developed, in which the telling of one's own story became a form of therapy.[12] The conventional concept of heroes and narratives of success disappeared in the obsession with psychological explorations of personality.

Eminent Victorians set the standard for 20th century biographical writing, when it was published in 1918.

British critic Lytton Strachey revolutionized the art of biographical writing with his 1918 work Eminent Victorians, consisting of biographies of four leading figures from the Victorian era: Cardinal Manning, Florence Nightingale, Thomas Arnold, and General Gordon.[15] Strachey set out to breathe life into the Victorian era for future generations to read. Up until this point, as Strachey remarked in the preface, Victorian biographies had been "as familiar as the cortège of the undertaker", and wore the same air of "slow, funereal barbarism." Strachey defied the tradition of "two fat volumes ... of undigested masses of material" and took aim at the four iconic figures. His narrative demolished the myths that had built up around these cherished national heroes, whom he regarded as no better than a "set of mouth bungled hypocrites". The book achieved worldwide fame due to its irreverent and witty style, its concise and factually accurate nature, and its artistic prose.[16]

In the 1920s and 1930s, biographical writers sought to capitalize on Strachey's popularity by imitating his style. This new school featured iconoclasts, scientific analysts, and fictional biographers and included Gamaliel Bradford, André Maurois, and Emil Ludwig, among others. Robert Graves (I, Claudius, 1934) stood out among those following Strachey's model of "debunking biographies." The trend in literary biography was accompanied in popular biography by a sort of "celebrity voyeurism", in the early decades of the century. This latter form's appeal to readers was based on curiosity more than morality or patriotism. By World War I, cheap hard-cover reprints had become popular. The decades of the 1920s witnessed a biographical "boom." 

https://en.wikipedia.org/wiki/Biography

 

Biographical research

Biographical research is defined by Miller as a research method that collects and analyses a person's whole life, or portion of a life, through the in-depth and unstructured interview, or sometimes reinforced by semi-structured interview or personal documents.[24] It is a way of viewing social life in procedural terms, rather than static terms. The information can come from "oral history, personal narrative, biography and autobiography" or "diaries, letters, memoranda and other materials".[25] The central aim of biographical research is to produce rich descriptions of persons or "conceptualise structural types of actions", which means to "understand the action logics or how persons and structures are interlinked".[26] This method can be used to understand an individual's life within its social context or understand the cultural phenomena. 

https://en.wikipedia.org/wiki/Biography

 

https://en.wikipedia.org/wiki/Category:Non-fiction_literature

 

Allegory on writing history by Jacob de Wit (1754). An almost naked Truth keeps an eye on the writer of history. Pallas Athena (Wisdom) on left gives advice.

Historiography is the study of the methods of historians in developing history as an academic discipline, and by extension is any body of historical work on a particular subject. The historiography of a specific topic covers how historians have studied that topic by using particular sources, techniques, and theoretical approaches. Scholars discuss historiography by topic—such as the historiography of the United Kingdom, that of WWII, the pre-Columbian Americas, early Islam, and China—and different approaches and genres, such as political history and social history. Beginning in the nineteenth century, with the development of academic history, there developed a body of historiographic literature. The extent to which historians are influenced by their own groups and loyalties—such as to their nation state—remains a debated question.[1][2] 

https://en.wikipedia.org/wiki/Historiography

Legal biography is the biography of persons relevant to law. In a preface dated October 1983, A. W. B. Simpson wrote that it was "a rather neglected field".[1] Since then there has been a "resurgence of interest".[2]

https://en.wikipedia.org/wiki/Legal_biography

 

Biographia Juridica: A Biographical Dictionary Of The Judges Of England From The Conquest To The Present Time, 1066-1870 is a lengthy and rigorous review of the major legal minds in British history. It was compiled by Edward Foss, a lawyer and devoted amateur historian who died only two months before its publication in 1870. 

https://en.wikipedia.org/wiki/Biographia_Juridica

 

https://en.wikipedia.org/wiki/Category:Biographical_dictionary_stubs

 

Chambers's Biographical Dictionary, 1912 edition, first page

Chambers Biographical Dictionary provides concise descriptions of over 18,000 notable figures from Britain and the rest of the world. It was first published in 1897.

The publishers, Chambers Harrap, who were formerly based in Edinburgh, claim their Biographical Dictionary is the most comprehensive and authoritative single-volume biographical dictionary available, covering entries in such areas as sport, science, music, art, literature, politics, television, and film. The 1990 reprint is published by University Press, Cambridge.[1] 

https://en.wikipedia.org/wiki/Chambers_Biographical_Dictionary

 

https://en.wikipedia.org/wiki/Category:British_biographical_dictionaries

 

https://en.wikipedia.org/wiki/Directory

 

A "white pages" telephone directory

A telephone directory, commonly called a telephone book, telephone address book, phonebook, or the white and yellow pages, is a listing of telephone subscribers in a geographical area or subscribers to services provided by the organization that publishes the directory. Its purpose is to allow the telephone number of a subscriber identified by name and address to be found.

The advent of the Internet and smartphones in the 21st century greatly reduced the need for a paper phone book.[1][2] Some communities, such as Seattle and San Francisco, sought to ban their unsolicited distribution as wasteful, unwanted and harmful to the environment.[3][4]

The slogan "Let Your Fingers Do the Walking" refers to use of phone books.[1] 

https://en.wikipedia.org/wiki/Telephone_directory

 

Telephone directories can be published in hard copy or in electronic form. In the latter case, the directory can be on physical media such as CD-ROM,[6] or using an online service through proprietary terminals or over the Internet.[7][8]

In many countries directories are both published in book form and also available over the Internet. Printed directories were usually supplied free of charge. 

https://en.wikipedia.org/wiki/Telephone_directory

 

The first telephone directory, printed in New Haven, Connecticut, United States, in November 1878

https://en.wikipedia.org/wiki/Telephone_directory

 

In telephony, an unlisted number (United States, New Zealand), ex-directory number (United Kingdom) silent number, silent line (Australia[1]), or private number (New Zealand, and Canada) is a telephone number that, for a fee,[2] is intentionally not listed in telephone books. Although an unpublished number is not included in the phone book, an unlisted number may be available from the phone company's information operator.[3] When used for residential households, they're primarily for privacy concerns.[4]

Another form of anomity is being listed with just a first initial, for those with a relatively common family name; sometimes these listings also lack an address. No fee is charged for initially being so-listed.[5][6][7] 

https://en.wikipedia.org/wiki/Unlisted_number

 

 

Radiotriangulation scheme using two direction-finding antennas (A and B)
Direction finding antenna near the city of Lucerne, Switzerland

Direction finding (DF), or radio direction finding (RDF), is – in accordance with International Telecommunication Union (ITU) – defined as radio location that uses the reception of radio waves to determine the direction in which a radio station or an object is located. This can refer to radio or other forms of wireless communication, including radar signals detection and monitoring (ELINT/ESM). By combining the direction information from two or more suitably spaced receivers (or a single mobile receiver), the source of a transmission may be located via triangulation. Radio direction finding is used in the navigation of ships and aircraft, to locate emergency transmitters for search and rescue, for tracking wildlife, and to locate illegal or interfering transmitters. RDF was important in combating German threats during both the World War II Battle of Britain and the long running Battle of the Atlantic. In the former, the Air Ministry also used RDF to locate its own fighter groups and vector them to detected German raids.

https://en.wikipedia.org/wiki/Direction_finding

 

A breed registry, also known as a herdbook, studbook or register, in animal husbandry and the hobby of animal fancy, is an official list of animals within a specific breed whose parents are known. Animals are usually registered by their breeders while they are young. The terms studbook and register are also used to refer to lists of male animals "standing at stud", that is, those animals actively breeding, as opposed to every known specimen of that breed. Such registries usually issue certificates for each recorded animal, called a pedigree, pedigreed animal documentation, or most commonly, an animal's "papers". Registration papers may consist of a simple certificate or a listing of ancestors in the animal's background, sometimes with a chart showing the lineage. 

https://en.wikipedia.org/wiki/Breed_registry

https://en.wikipedia.org/w/index.php?title=Stud_book&redirect=no

 

https://en.wikipedia.org/wiki/Field_Dog_Stud_Book

 

https://en.wikipedia.org/wiki/DNA

 

https://en.wikipedia.org/wiki/tag

 

 

A personal account is a bank account for use by an individual for that person's own needs. It is a relative term to differentiate them from those accounts for business or corporate use.[1]

https://en.wikipedia.org/wiki/Personal_account

 

Example of a front page of a report

A report is a document that presents information in an organized format for a specific audience and purpose. Although summaries of reports may be delivered orally, complete reports are almost always in the form of written documents.[1][2] 

https://en.wikipedia.org/wiki/Report

 

https://en.wikipedia.org/wiki/IMRAD

 

A report is a document that presents information in an organized format for a specific audience and purpose. Although summaries of reports may be delivered orally, complete reports are almost always in the form of written documents.[1][2]

Usage

In modern business scenario, reports play a major role in the progress of business. Reports are the backbone to the thinking process of the establishment and they are responsible, to a great extent, in evolving an efficient or inefficient work environment.

The significance of the reports includes:

  • Reports present adequate information on various aspects of the business.
  • All the skills and the knowledge of the professionals are communicated through reports.
  • Reports help the top line in decision making.
  • A rule and balanced report also helps in problem solving.
  • Reports communicate the planning, policies and other matters regarding an organization to the masses. News reports play the role of ombudsman and levy checks and balances on the establishment.

Attributes

One of the most common formats for presenting reports is IMRAD—introduction, methods, results, and discussion. This structure, standard for the genre, mirrors traditional publication of scientific research and summons the ethos and credibility of that discipline. Reports are not required to follow this pattern and may use alternative methods such as the problem-solution format, wherein the author first lists an issue and then details what must be done to fix the problem. Transparency and a focus on quality are keys to writing a useful report. Accuracy is also important. Faulty numbers in a financial report could lead to disastrous consequences.

Standard elements

Reports use features such as tables, graphics, pictures, voice, or specialized vocabulary in order to persuade a specific audience to undertake an action or inform the reader of the subject at hand. Some common elements of written reports include headings to indicate topics and help the reader locate relevant information quickly, and visual elements such as charts, tables and figures, which are useful for breaking up large sections of text and making complex issues more accessible. Lengthy written reports will almost always contain a table of contents, appendices, footnotes, and references. A bibliography or list of references will appear at the end of any credible report and citations are often included within the text itself. Complex terms are explained within the body of the report or listed as footnotes in order to make the report easier to follow. A short summary of the report's contents, called an abstract, may appear in the beginning so that the audience knows what the report will cover. Online reports often contain hyperlinks to internal or external sources as well.

Verbal reports differ from written reports in the minutiae of their format, but they still educate or advocate for a course of action. Quality reports will be well researched and the speaker will list their sources if at all possible. 

https://en.wikipedia.org/wiki/Report

 

Structure of a report[3]

A typical report would include the following sections in it:

  • Title page
  • Executive summary
  • Table of contents
  • Introduction
  • Discussion or body
  • Conclusion
  • Recommendations
  • Reference list
  • Appendices.

Types

US President Donald Trump hears the military report from the commander of the 1st Battalion, Grenadier Guards.

Some examples of reports are:

See also

References


  • Madan, Poonam (2016–2017). Language proficiency in English. 28/115, jyoti block, sanjay place, Agra-2: Agarwal publication. p. 138. ISBN 9789385872280.

  • "Definition of REPORT". www.merriam-webster.com. Retrieved 2020-01-22.

  • "QUT cite|write - Writing a report". www.citewrite.qut.edu.au. Retrieved 2020-08-06.

    1. "Report". archive.org. Archived from the original on 2014-03-19.

    Further reading

    • Blick, Ronald (2003). "Technically-Write!". Prentice Hall. ISBN 0-13-114878-8.
    • Gerson, Sharon and Gerson, Steven (2005). Technical Writing: Process and Product. Prentice-Hall. ISBN 0-13-119664-2.
    • Lannon, John (2007). Technical Communication. Longman. ISBN 0-205-55957-3.

    https://en.wikipedia.org/wiki/Report


    The Grey Literature International Steering Committee (GLISC) was established in 2006 after the 7th International Conference on Grey Literature (GL7) held in Nancy (France) on 5–6 December 2005.[1]

    During this conference, the Istituto Superiore di Sanità (ISS) (Rome, Italy) presented guidelines for the production of scientific and technical reports documents included in the wider category of grey literature (GL) defined at the International Conferences on Grey Literature held in Luxembourg (1997) and in New York (2004) – as "information produced on all levels of government, academics, business and industry in electronic and print formats not controlled by commercial publishing i.e. where publishing is not the primary activity of the producing body".

    The Italian initiative for the adoption of uniform requirements for the production of reports was discussed during a Round Table on Quality Assessment by a small group of GL producers, librarians and information professionals who agreed to collaborate in the revision of the guidelines proposed by ISS.

    The group approving these guidelines – informally known as the "Nancy Group" – has been formally defined as the Grey Literature International Steering Committee (GLISC).

    The recommendations are adapted from the Uniform Requirements for Manuscripts Submitted to Biomedical Journals, produced by the International Committee of Medical Journal Editors (ICMJE) - better known as "Vancouver Style" (updated February 2006, available from ICMJE | Home and now adopted by more than 500 biomedical journals). These requirements also took into consideration the basic principles of ISO Standard Documentation entitled "Presentation of scientific and technical reports" (ISO 5966/1982) withdrawn in 2000. The ISO 5966 no longer met the requirements of ITC (Information Technology Communication), however, it still provides useful tips in the preparation of reports.

    The Guidelines are created primarily to help authors and GL producers in their mutual task of creating and distributing accurate, clear, easily accessible reports in different fields. The goal of the Guidelines is, in fact, to permit an independent and correct production of institutional reports in accordance with basic editorial principles.

    The Guidelines include ethical principles related to the process of evaluating, improving, and making reports available and the relationships between GL producers and authors. The latter sections address the more technical aspects of preparing and submitting reports. GLISC believes the entire document is relevant to the concerns of both authors and GL producers.

    The Guidelines are informally known as "Nancy style".

    GLISC members

    These are the institutions which officially adopted the "Nancy Style" in the production and distribution of grey literature.

    Many other institutions all over the world do support and use the GLISC guidelines without a formal agreement which would require longer procedures.

    The GLISC Guidelines for the production of scientific and technical reports (also known as "Nancy style")

    Authorship: The GLISC guidelines were prepared by Paola De Castro and Sandra Salinetti from the Istituto Superiore di Sanità, Rome (Italy). They were critically revised by Joachim Schöpfel and Christiane Stock (INIST-CNRS, Nancy, France), Dominic Farace (GreyNet, Amsterdam, The Netherlands), Catherine Candea and Toby Green (OECD, Paris, France) and Keith G. Jeffery (CCLRC, Chilton Didcot, UK). The work was accompanied by Marcus A. Banks (Memorial Sloan-Kettering Cancer Center, New York, USA), Stefania Biagioni (ISTI-CNR, Pisa, Italy), June Crowe (Information International Associates Inc., IIA, Oak Ridge, USA) and Markus Weber (Swiss Federal Office of Public Health, Berne, Switzerland).

    Structure: The guidelines are divided in five sections:

    1. Statement of purpose
    2. Ethical considerations (authorship, peer review, confidentiality...)
    3. Publishing and editorial issues (copyright, institutional repositories, advertising...)
    4. Report preparation (instructions to authors, report structure, revision editing...)
    5. General information on the Guidelines

    The annex contains references and a list of institutions adopting the guidelines.

    Update: The first version 1.0 from March 2006 was updated in July 2007 (version 1.1).

    Translation: Version 1.1 was translated in French, German and Italian and Spanish.

    Availability: Version 1.1 and translations are available on the GLISC website.

    The total content of the Guidelines may be reproduced for educational, not-for-profit purposes without regard for copyright; the Committee encourages distribution of the material.

    The GLISC policy is for interested organizations to link to the official English language document at www.glisc.info. The GLISC does not endorse posting of the document on websites other than GLISC . The GLISC welcomes organizations to reprint or translate this document into languages other than English for no-profit purposes.

    Comparison between "Nancy style" and ANSI/NISO Z39.18

    The ANSI/NISO Standard Z39.18-2005 Scientific and Technical Reports – Preparation, Presentation, and Preservation (released in 2005) has been considered a valuable source for comparison. The major differences concerning the two documents as a whole regard:

    *Document type

    They are different in that the "Nancy style" represents guidelines – that is general principles agreed upon by a small group of experts, to be followed as an indication or outline of policy or conduct –, while the ANSI/NISO Z39.18 is a proper standard, developed by the Standards Committees of the US National Information Standards Organization (NISO), subject to rigorous control and approval process including peer review. This is why also the structure of the two documents is different since the standard may repeat concepts in different sections which may be used separately, while the Guidelines are intended as an easy to read document giving the general idea for recommended items. The Guidelines, different from standards, do not give full details on format and style. Moreover, the "Nancy style" represents international guidelines developed by a corporate author (GLISC), which worked on the draft proposed by the Istituto Superiore di Sanità, and signed approval of this best practice on behalf of their respective organizations, while the ANSI/NISO Z39.18 is a national standard approved by the American National Standards Institute through a number of Voting Members.

    *Paper vs digital document medium

    The "Nancy style" is mostly paper oriented giving recommendations on report preparation mainly reflecting a traditional paper structure, while the organization pattern of the ANSI/NISO Z39.18 is user-based more than content-based. The key concepts incorporated in the American standard mainly refer to metadata, persistence of links, interoperability, creation, discovery/retrieval, presentation in digital format (DTD, XML, XSL), maintenance and preservation (original content, software and media); it also contains a metadata schema, which is absent in the Guidelines.

    *Annexes

    All material included in the "Nancy style" is approved by the GLISC, while the ANSI/NISO Z39.18 provides a large amount of additional information (almost half of the pages) that is not part of the Standard (Appendices including selected annotated bibliography, glossary, Dublin Core data elements, etc.).

    *Content

    In general, the "Nancy style" contains technical requirements for a report, but does not include full details (i.e. format, style, etc.); yet, it provides important elements, which are not present or not fully described in the ANSI/NISO Z39.18.

    • Ethical issues

    An initial section is explicitly devoted to authorship, editorship, peer review, conflicts of interest, privacy and confidentiality.

    • Instructions for authors

    Producers are strongly recommended to issue instructions to guide authors in the production of a formally correct document containing ethical and editorial issues as well as indications for formats, styles, illustrations, etc.

    • Revision

    Special attention is given to revision editing as GL is not generally peer reviewed, or produced with editorial support; therefore, it is fundamental that authors be aware of the importance of a careful revision of their texts before diffusion.

    • Reference style

    The adoption of the "Vancouver style" is recommended and examples and rules are given as a fundamental step for information retrieval. As regards document structure, it is basically the same in "Nancy style" and ANSI/NISO Z39.18, with minor terminological variations. Yet, the American standard explicitly gives indication on: – Report Documentation Page (since it is used by some agencies within the federal government, and also some sample pages are given). – Distribution list. – Glossary (although not part of the Standard). – Executive abstract.

    *Technical recommendations

    Since the "Nancy style" represents guidelines and not a standard, all technical considerations are limited to the essential, while the ANSI/NISO Z39.18 gives indications (all absent in the "Nancy style") on:

    • Print-specific/non-print-specific recommendations

    The Section 6 "Presentation and display" describes standard methods for ensuring consistency in presentation including designing visual and tabular matter, formatting, etc. and makes a distinction between rules applicable to all reports regardless of mode of publication (paper or digital) and rules applicable to reports published in paper form only.

    • Format

    Specific information is provided on fonts, line length, margins, page numbering, style, units and numbers, formulas and equations, paper (format and type), printing equipment, ink. The ANSI/NISO Z39.18 also includes specifications on index entries and errata, which are not present in the "Nancy style".

    Support, translation and updating of the "Nancy style"

    Many institutions considered the relevance of the GLISC Guidelines for the production and distribution of technical reports and for educational purposed, therefore, accepted to carry out the translation of the original English version into different languages.

    Translations are available in:

    • Italian - translation carried out by the Istituto Superiore di Sanità
      . The ISS published a technical report on "Grey literature in scientific communication: "Nancy style" to guarantee editorial quality of technical reports", including the translation of the GLISC guidelines Rapporti ISTISAN 06/55
    • French - translation carried out by INIST - Institute for Scientific and Technical Information - France INIST - Institute for Scientific and Technical Information - France - Nancy Style
    • German translation carried out by Technischen Informationsbibliothek (TIB), Hannover - Germany
    • Spanish - translation carried out by Universidad de Salamanca - Spain

    The GLISC guidelines and the impact of grey literature on science communication were also appreciated by the European Association of Science Editors which included a chapter on grey literature in their Science Editor's Handbook. The use of GLISC guidelines is also supported by the European NECOBELAC Project Necobelac financed by the European Commission within the [7 Framework program], by the US National Library of Medicine Research Reporting Guidelines and Initiatives: By Organization, by the German National Library of Science and Technology TIB - Technische Informationsbibliothek: Reports / Germany and by the French Academic Agency of Francophony [1].

    Next steps for updating the GLISC Guidelines could be:

    • Adding an Appendix on metadata
    • Creating a Subject index
    • Providing more technical advice on digital format
    • Facilitating reference

    The Guidelines should be considered as a suggested model rather than a model in itself; they represent a basic step to improve quality in the different stages of GL production in view of its wider electronic circulation. The proposals for their updating will make them more effective, although a regular revision is required to keep pace with the changing ITC scenarios and information policies (see De Castro et al. 2006).

    On the development of the GLISC guidelines

    *Electronic grey literature The "Nancy style" is mostly paper oriented, because editorial consistency and ethical considerations recommended for traditional documents do apply also to digital publications. Yet, progressively more and more GL is being produced, stored, published and made available electronically and in order to manage relevant GL publications, metadata are required. The importance of metadata, as the natural evolution of library catalogue records, had been already stressed in the first version of the "Nancy style" (when dealing with report structure: Section 4.2 of the Guidelines), but no metadata schema was then provided since it was difficult to find a formula that would satisfy all requirements. At present, much GL is catalogued using the Dublin Core Metadata Standard (DC). However – as Keith Jeffery of the UK Council for the Central Laboratory of the Research Councils (CCLRC) pointed out working on the "Nancy style" draft – this standard has several problems: a) it is machine-readable but not machine-understandable; b) it does not have a formalised syntax or semantics and therefore is open to ambiguous interpretations. Therefore, he proposed a formalised metadata standard (an umbrella standard, mainly generated from Dublin Core metadata: "Formalised DC" based on the concepts of the CERIF Model (Error message (euroCRIS)). Yet, as the traditional cataloguing practice has different rules, similarly different communities may adopt different metadata schema. Nowadays the World Wide Web provides the possibility to search for information across heterogeneous archives/databases/catalogues, but the systems managing different information resources must be "interoperable" (capable to work together), and interoperability requires that the same metadata schema be used. As Stefania Biagioni (of the Italian Istituto di Scienza e Tecnologie dell'Informazione - ISTI, Consiglio Nazionale delle Ricerche) clearly commented, there is much work towards standardization and the Dublin Core Initiative (DCMI: Home) is receiving worldwide consensus as it suggests adding a very simple metadata record to any specialized one.

    *Adoption strategy When consensus was to be reached to release the first version of the Guidelines, a formal approval was asked to all organizations wishing to officially adopt them. Contrary to expectations, consensus was given only by a small number of institutions as the official adoption was sometimes a difficult step. Yet, support and encouragement did not lack: a less formal approach in launching the Guidelines and getting them adopted was soon granted by all institutions involved in their creation. For example, a large international organization (Organisation for Economic Co-operation and Development - OECD), which took part in the development of the Guidelines, expressed concern to officially endorse them (and in fact, it did not), because that would require a great deal of internal debate and discussion with their own members. Suggestions were made to follow a voluntary system backed up by an official recognition of compliance to facilitate the adoption of the Guidelines. This would encourage like-minded supporters within an organisation to informally use the Guidelines and then gain the official "stamp of approval" to show that they are really following them. Actually, other organizations policies take a voluntary approach in the documents they recommend, such as the Association of Learned and Professional Society Publishers (ALPSP) with more than 230 not-for-profit publishers. As suggested by the OECD, voluntary sign-up is a less demanding step for organisations to take, but the effect is the same – more and more publishers will opt to use them.

    See also

    References


    1. "GLISC". September 18, 2009. Archived from the original on September 18, 2009.

    Sources

    • ANSI/NISO. Scientific and Technical Reports – Preparation, Presentation, and Preservation. Bethesda, MD: NISO Press; 2005. (Standard Z39.18-2005). Available from: [2]; last visited July 12, 2007.
    • Dublin Core Metadata Initiative. Dublin Core Metadata Element Set, Version 1.1. DCMI; 1995–2007. Available from: DCMI: Dublin Core™ Metadata Element Set, Version 1.1: Reference Description; last visited July 12, 2007.
    • European Association of Science Editors. Science editors handbook. Old Woking (UK): EASE; 2003.
    • Farace DJ, Frantzen J, editors. GL '97 Conference Proceedings: Third International Conference on Grey Literature: Perspectives on the design and transfer of scientific and technical information. Luxembourg, 13–14 November 1997. Amsterdam: GreyNet/TransAtlantic; 1998. (GL-conference series No. 3).
    • Farace DJ, Frantzen J, editors. Sixth International Conference on Grey Literature: Work on Grey in Progress. New York, 6–7 December 2004. Amsterdam : TextRelease; 2005. (GL-conference series No. 6).
    • Gustavii B. How to write and illustrate a scientific paper. Lund: Studentlitteratur; 2000.
    • Huth EJ. How to write and publish papers in the medical sciences. 2nd ed. Baltimore: Williams & Wilkins; 1990.
    • International Committee of Medical Journal Editors. Uniform requirements for manuscripts submitted to biomedical journals: writing and editing for biomedical publication. ICMJE: 2006. Available from ICMJE | Home; last visited: 15/2/2006.
    • International Organization for Standardization. Documentation – Presentation of scientific and technical reports. Geneva: ISO; 1982. (ISO 5966).
    • Matthews JR, Bowen JM, Matthews RW. Successful scientific writing. A step-by-step guide for biological and medical sciences. Cambridge: Cambridge University Press; 2000.
    • Nadziejka DE. Levels of technical editing. Reston (VA): Council of Biology Editors; 1999. (Council or Science Editors GuideLines No. 4).
    • National Library of Medicine. Bibliographic Services Division. International Committee of Medical Journal Editors. Uniform requirements for Manuscript submitted to Biomedical Journals: Sample references. Bethesda, MD: NLM; 2005. Available from Samples of Formatted References for Authors of Journal Articles; last visited: 31/10/2005.
    • SIGLE Manual. Part 1: SIGLE cataloguing rules. Luxembourg: EAGLE; 1990.
    • De Castro P, Salinetti S,. Banks M. Awareness and empowerment as a must for open access: sharing experiences in the creation and development of Nancy Style. In 8. International Conference on Grey Literature. New Orleans 4–5 December 2006 New Orleans.
    • Raju, Saraswati; Jatrana, Santosh (2016), "Preface", Women Workers in Urban India, Cambridge University Press, pp. xi–xiv, doi:10.1017/cbo9781316459621.001, ISBN 978-1-316-45962-1

    External links

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