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Saturday, May 20, 2023

05-20-2023-0037 - The Beasts of battle, trope, archetype, miser, economic crises, drugstore beetle, biscuit weevil, evil, etc. (draft)

From Wikipedia, the free encyclopedia

The Beasts of battle is a poetic trope in Old English and Old Norse literature. The trope has the wolf, the raven, and the eagle follow warriors into battle to feast on the bodies of the slain.[1] It occurs in eight Old English poems and in the Old Norse Poetic Edda.

History of the term

The term originates with Francis Peabody Magoun, who first used it in 1955, although the combination of the three animals was first considered a theme by Maurice Bowra, in 1952.[2]

History, content

The beasts of battle presumably date from an earlier, Germanic tradition; the animals are well known for eating carrion. A mythological connection may be presumed as well, though it is clear that at the time that the Old English manuscripts were produced, in a Christianized England, there was no connection between for instance the raven and Huginn and Muninn or the wolf and Geri and Freki. This mythological and/or religious connection survived for much longer in Scandinavia.[3] Their literary pedigree is unknown. John D. Niles points out that they possibly originate in the wolf and the raven as animals sacred to Wōden; their role as eaters of the fallen victims certainly, he says, accords with the fondness of Old English poets for litotes, or deliberate understatement, giving "ironic expression to the horror of warfare as seen from the side of the losers."[4]

While the beasts have no connection to pagan mythology and theology in the Old English poems they inhabit, such a connection returns, oddly enough, in Christian hagiography: in Ælfric of Eynsham's Passio Saneti Edmundi Regis (11th century) a wolf guards the head of Saint Edmund the Martyr, and in John Lydgate's The Life of Saint Alban and Saint Amphibal (15th century), "the wolf and also the eagle, upon the explicit command of Christ, protect the bodies of the martyrs from all the other carrion beasts."[5]

Occurrences in Old English poetry

References

Notes


  • Herring.

  • Honegger 289 n.3.

  • Honegger 289-90.

  • Niles 133.

    1. Honegger 290-91.

    Bibliography



    https://en.wikipedia.org/wiki/Beasts_of_battle

    https://en.wikipedia.org/wiki/Category:Tropes 

    https://en.wikipedia.org/wiki/Archetype

    https://en.wikipedia.org/wiki/Miser


    https://en.wikipedia.org/wiki/Category:Economic_crises


    The drugstore beetle (Stegobium paniceum), also known as the bread beetle, biscuit beetle, and misnamed as the biscuit weevil (despite not being a true weevil), is a tiny, brown beetle that can be found infesting a wide variety of dried plant products, where it is among the most common non-weevils to be found. It is the only living member of the genus Stegobium. It belongs to the family Ptinidae, which also includes the deathwatch beetle and furniture beetle.

    The drugstore beetle has a worldwide distribution though it is more common in warmer climates. It is similar in appearance to the cigarette beetle (Lasioderma serricorne), but is slightly larger (adults can be up to 3.5 mm in length). Additionally, drugstore beetles have antennae ending in 3-segmented clubs, while cigarette beetles have serrated antennae (notched like teeth of a saw). The drugstore beetle also has grooves running longitudinally along the elytra, whereas the cigarette beetle is smooth. 

    Drugstore beetle
    Stegobium paniceum bl.jpg
    Scientific classification edit
    Kingdom: Animalia
    Phylum: Arthropoda
    Class: Insecta
    Order: Coleoptera
    Family: Ptinidae
    Subfamily: Anobiinae
    Tribe: Stegobiini
    Genus: Stegobium
    Motschulsky, 1860
    Species:
    S. paniceum
    Binomial name
    Stegobium paniceum
    Synonyms
    • Anobium paniceum Linnaeus, 1758
    • Sitodrepa panicea (Linnaeus, 1758)

    As its name suggests, the drugstore beetle has a tendency to feed on pharmacological products. This is from its preference of dried herbs and plant material sometimes used as drugs; e.g. drugstore beetles have been known to feed on strychnine, a highly toxic herbal extract. It can also feed on a diverse range of dried foods and spices, as well as hair, leather, books, and museum specimens. The drugstore beetle is also known as the biscuit or bread beetle since it can live on biscuit or bread crumbs.

    The oldest known member of the genus is Stegobium raritanensis from the Late Cretaceous (Turonian ~94-90 million years ago) aged New Jersey amber.[5] Another fossil species, Stegobium defunctus is known from the Eocene aged Green River Formation of Wyoming. The oldest records of the beetle as a pest are known from the Bronze Age of Akrotiri, Santorini, Greece around 1500 BC where it was found associated with stored pulses.[6]

    https://en.wikipedia.org/wiki/Drugstore_beetle

     https://www.wikidata.org/wiki/Q11962

    https://en.wikipedia.org/wiki/Category:Beetles_of_South_America

     https://en.wikipedia.org/wiki/Help:Taxon_identifiers


    From Wikipedia, the free encyclopedia
    Sendan Kendatsuba, one of the eight guardians of Buddhist law, banishing evil in one of the five paintings of Extermination of Evil.

    Evil, in a general sense, is defined as the opposite or absence of good. It can be an extremely broad concept, although in everyday usage it is often more narrowly used to talk about profound wickedness and against common good. It is generally seen as taking multiple possible forms, such as the form of personal moral evil commonly associated with the word, or impersonal natural evil (as in the case of natural disasters or illnesses), and in religious thought, the form of the demonic or supernatural/eternal.[1] While some religions, world views, and philosophies focus on "good versus evil", others deny evil's existence and usefulness in describing people.

    Evil can denote profound immorality,[2] but typically not without some basis in the understanding of the human condition, where strife and suffering (cf. Hinduism) are the true roots of evil. In certain religious contexts, evil has been described as a supernatural force.[2] Definitions of evil vary, as does the analysis of its motives.[3] Elements that are commonly associated with personal forms of evil involve unbalanced behavior including anger, revenge, hatred, psychological trauma, expediency, selfishness, ignorance, destruction and neglect.[4]

    In some forms of thought, evil is also sometimes perceived as the dualistic antagonistic binary opposite to good,[5] in which good should prevail and evil should be defeated.[6] In cultures with Buddhist spiritual influence, both good and evil are perceived as part of an antagonistic duality that itself must be overcome through achieving Nirvana.[6] The ethical questions regarding good and evil are subsumed into three major areas of study:[7] meta-ethics concerning the nature of good and evil, normative ethics concerning how we ought to behave, and applied ethics concerning particular moral issues. While the term is applied to events and conditions without agency, the forms of evil addressed in this article presume one or more evildoers.

    Etymology

    The modern English word evil (Old English yfel) and its cognates such as the German Übel and Dutch euvel are widely considered to come from a Proto-Germanic reconstructed form of *ubilaz, comparable to the Hittite huwapp- ultimately from the Proto-Indo-European form *wap- and suffixed zero-grade form *up-elo-. Other later Germanic forms include Middle English evel, ifel, ufel, Old Frisian evel (adjective and noun), Old Saxon ubil, Old High German ubil, and Gothic ubils.[8]

    The root meaning of the word is of obscure origin though shown to be akin to modern German übel (noun: Übel, although the noun evil is normally translated as "das Böse") with the basic idea of social or religious transgression.[citation needed]

    https://en.wikipedia.org/wiki/Evil

    From Wikipedia, the free encyclopedia
    (Redirected from Black and white)
    A black-and-white photo of a breadfruit, c. 1870

    Black-and-white (B&W or B/W) images combine black and white in a continuous spectrum, producing a range of shades of grey.

    Media

    The history of various visual media began with black and white, and as technology improved, altered to color. However, there are exceptions to this rule, including black-and-white fine art photography, as well as many film motion pictures and art film(s).

    Photography

    McDonald Lake, Glacier National Park, Montana – Ansel Adams – Taken between 1933 and 1942

    Contemporary use

    Since the late 1960s, few mainstream films have been shot in black-and-white. The reasons are frequently commercial, as it is difficult to sell a film for television broadcasting if the film is not in color. 1961 was the last year in which the majority of Hollywood films were released in black and white.[1]

    Computing

    In computing terminology, black-and-white is sometimes used to refer to a binary image consisting solely of pure black pixels and pure white ones; what would normally be called a black-and-white image, that is, an image containing shades of gray, is referred to in this context as grayscale.[2]

    See also

    References


  • Robertson, Patrick (2001). Film Facts, Billboard Books, p. 167. ISBN 9780823079438

    1. Renner, Honey (2011). Fifty Shades of Greyscale: A History of Greyscale Cinema, p. 13. Knob Publishers, Nice.

    https://en.wikipedia.org/wiki/Black-and-white


    From Wikipedia, the free encyclopedia
    The Tetons and the Snake River, by Ansel Adams
    Doris Ulmann's Laborer's hands

    Monochrome photography is photography where each position on an image can record and show a different amount of light, but not a different hue. It includes all forms of black-and-white photography, which produce images containing shades of neutral grey ranging from black to white.[1] Other hues besides grey, such as sepia, cyan, blue, or brown can also be used in monochrome photography.[2] In the contemporary world, monochrome photography is mostly used for artistic purposes and certain technical imaging applications, rather than for visually accurate reproduction of scenes.

    Description

    Monochrome picture of the Helsinki's Market Square from the 1890s

    Although methods for photographing in color emerged slowly starting in the 1850s, monochrome imagery dominated photography until the mid–twentieth century. From the start, photographic recording processes such as the daguerreotype, the paper negative and the glass collodion negative did not render the color of light (although they were sensitive to some colors more than others). The result was a monochrome image.

    Until the 1880s, photographic processes used to print negatives — such as calotype, ambrotype, tintype, salt print and the albumen print — generally produced images with a variety of brown or sepia tones. Later processes moved toward a black-and-white image, although photographers have used toning solutions to convert silver in the image to silver sulphide, imparting a brown or sepia tone. Similarly, selenium toner produces a blue-black or purple image by converting silver into more stable silver selenide.[3] Cyanotypes use iron salts rather than silver salts, producing blue images.[2]

    Most modern black-and-white films, called panchromatic films, record the entire visible spectrum.[1]: 157  Some films are orthochromatic, recording visible light wavelengths shorter than 590 nanometers,[1]: 158  in the blue to green range of the spectrum and are less sensitive to the longer wavelength range (i.e. orange-red) of the visible spectrum.[4]

    Modern techniques and uses

    Digital photo of Kearny Generating Station, converted to black and white in Lightroom, with color channels adjusted to mimic the effect of a red filter.

    Black-and-white photography is considered by some to be more subtle and interpretive, and less realistic than color photography.[1]: 5  Monochrome images are not direct renditions of their subjects, but are abstractions from reality, representing colors in shades of grey. In computer terms, this is often called greyscale.[5] Black-and-white photography is considered by some to add a more emotional touch to the subject, compared with the original colored photography.[6]

    Monochrome images may be produced in a number of ways. Finding and capturing a scene having only variants of a certain hue, while difficult and uncommon in practice, will result in an image that technically qualifies as a monochrome photo.[7] One can also artificially limit the range of color in a photo to those within a certain hue by using black-and-white film or paper, or by manipulating color images using computer software.

    Color images can be converted to black and white on the computer using several methods, including desaturating the existing color RGB image so that no color remains visible (which still allows color channels to be manipulated to alter tones such as darkening a blue sky), or by converting the image to a greyscale version (which eliminates the colors permanently), using software programs like Photoshop.[8] After software conversion to a monochrome image, one or more hues can replace the grey tones to emulate duotones, sepia, selenium or gold toned images or cyanotype, calotype or albumen prints.[2][9]

    Digital black-and-white cameras

    Leica M Monochrom is a digital camera in Leica Camera AG's rangefinder M series, and features a monochrome sensor. The camera was announced in May 2012.

    Fujifilm X-Pro1-M is a cheaper option compared to the Leica M Model. It is a digital camera with a removed color sensor to capture monochromatic photographs. The camera was released in March 2012.

    Phase One IQ3 100MP Achromatic is a digital medium format camera with an ISO rating exceeding up to 51,200. The camera was released in 2017.[10]

    Monochromatic modifiers

    The use of the following modifiers can add a different aesthetic to your images without software manipulation, each used for their own unique purposes:[11][12]

    Astrophotography applications

    Monochrome imaging for astrophotography is a popular technique among amateur astrophotographers. Modern monochrome cameras dispose of the color bayer matrix that sits in front of the sensor. This allows for specialized narrowband filters to be used, allowing the entire sensor area to be utilized for specific wavelengths of light emitted by many deep space objects. Hydrogen-alpha, a common wavelength used, is red in color. and only the red pixels, approximately 25% of the sensor, will detect this light. In a monochrome camera, the whole sensor can be used to detect this signal. Monochrome photography is also useful in areas of high light pollution.[13]

    Image gallery

    See also

    References


  • Langford, Michael (2000). Basic Photography (7th ed.). Oxford: Focal Press. ISBN 0-240-51592-7.

  • Lambrecht, Ralph W.; Woodhouse, Chris (2011). Way beyond monochrome: advanced techniques for traditional black & white photography (2nd ed.). Amsterdam: Focal press. ISBN 978-0-240-81625-8.

  • Graves, Carson (2000). "Chapter 8 - Toning". Elements of black and white printing (2nd ed.). Oxford: Focal. pp. 100–115. ISBN 978-0240803128.

  • Upton, Barbara London, Jim Stone, John Upton (2008). Photography (9th ed.). Upper Saddle River (N. J.): Pearson Prentice Hall. ISBN 978-0131752016.

  • "Definition: Grayscale". www.techtarget.com. Retrieved 18 November 2014.

  • "Black and White Photographs, January 16, 2015". Retrieved 2015-04-20.

  • "Monochrome vs. Black and White Photography: Is There A Difference?". Retrieved 2017-08-22.

  • Gibson, Andrew. "7 Black and White Photoshop Conversion Techniques - Envato Tuts+ Photo & Video Tutorial". Photo & Video Envato Tuts+. Archived from the original on 17 January 2016. Retrieved 26 January 2016.

  • Beardsworth, John (2007). Advanced digital black & white photography (1st ed.). New York: Lark Books. ISBN 978-1600592102.

  • "The Best Cameras for Black and White Photography". Gear Patrol. 2018-05-02. Retrieved 2019-10-01.

  • "Best Filters to Use with Black and White Photography". ExpertPhotography. Retrieved 2019-10-01.

  • "5 essential filters for black and white photography you should own". ImageExplorers. 2018-08-06. Retrieved 2019-10-01.

    1. Morison, Ian (2017). "The use of narrow band filters such as S II, H-alpha and O III to eliminate light pollution and produce images using the Hubble Palette". Cambridge University Press: 191–198.

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